Monthly Archives: August 2012

Concert review: Bill Frisell Plays The Music of John Lennon at La Poisson Rouge

Date: Thursday, 2 August 2012
Venue: Le Poisson Rouge (NY)
Review by Matt Cole and photos by Sohrab Saadat Ladjevardi

On Thursday, 2 August 2012, Bill Frisell and his talented band played an evening of John Lennon’s music before a packed, seated house at La Poisson Rouge. The band consisted of Jenny Scheinman on violin, Greg Leisz on pedal steel, Tony Scherr on bass, and Kenny Wollesen on drums. The band played selections from Frisell’s 2011 album, All We Are Saying, a collection of John Lennon’s songs played by the same band we were hearing live.

The music began with Frisell alone, then the rest of the band coming in one-by-one, in a dreamy jam that coalesced into “Across the Universe.” After an almost Beatlesesque treatment of the melody (helped along by Kenny Wollesen’s excellent and tasteful drumming in this idiom, which continued throughout the night), the band went back into free and dreamy territory. This pattern would continue for most of the night, with most songs starting free, and then alternating between Beatles-like sounds and free but not dissonant improve sections. A few times, no doubt aided by the sounds of Leisz’ pedal steel, the band entered the edges of country-rock territory, one example being on Lennon’s ode to his son, “Beautiful Boy,” another in “In My Life” towards the end of the set (the psychedelic ending of which, curiously, also reminded me a little of the intro to Rush’s epic “Xanadu”).

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Special Women around us: The Pussy Riot Trial in Moscow – read Yekaterina Samutsevich closing statement!

Text by Sohrab Saadat Ladjevardi

I still don’t know what’s going to happen with the Pussy Riot women. Madonna and Sting did their best to get them out of jail. I hope that Yekaterina Samutsevich ‘s official statement, who’s a member of the band, clears things up in Russia. They are accused not only of hooliganism, but also of blasphemy, religious hatred and terrorism. They could be sentenced to seven years in prison. I disagree with those accusations and believe they just did, what any Russian would do, who is progressive political conscious. All the young three women are concerned about their country and use music as a media to spread out their message. They had the courage to speak out and knew that public protests carried serious risks in Russia. I wish the best for them.

If you don’t know anything about the Pussy Riot, please read my post about them here.

Text from the Russian blog http://olenskae.tumblr.com/ or http://olenskae.tumblr.com/post/29137327674/yekaterina-samutsevich-closing-statement-at-the-pussy

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Concert review: Melvin Gibbs’ Elevated Entity explores “the Black Atlantic continuum”

Date: July 25, 2012
Venue: Le Poisson Rouge (NY)
Review by Eulas Pizarro

Melvin Gibbs Elevated Entity at Le Poisson Rouge was nothing short of amazing. As I got there a few minutes late and entered the room the band was already laying down a seething web of polyrhythms and tangled vocal call and responses enveloping the audience.

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Music listings – 8/13 through 8/19

1. Bad Names w. MIRTHKON, MOETAR & AUDIO COLLISION

Date: Monday, August 13, 2012
Time: 8pm
Venue: PIANOS (158 Ludlow St., New York, NY 10002
Ticket: $8
Genre: indie rock

Bad Names are touring this summer in the US in support of their new EP. Bad Names are a four piece from London whose music recaptures the energy and passion of the 70s, spiced up with modern Brit Rock. Their style channels the roguish charm of the Rolling Stones, the glamour of T-Rex and the attitude of Oasis. They make 21st century rock n roll that echoes the sounds of the classic British bands.

BAD NAMES 11pm, MIRTHKON 10pm, MOETAR 9pm and AUDIO COLLISION 8pm
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Recommended Kickstarter Campaign: recording of compositions for piano and shakuhachi by the Japanese composer Rando Fukuda played by Marco Lienhard and Charles Tang!

Text by Sohrab Saadat Ladjevardi

I have known Marco Lienhard  for more than thirty years. We met in Osaka, Japan, when we were thirty years younger. At that time I studied Kendo at a sports college and had just started playing sax. Marco, as far as I can remember, was an exchange student. We both were young and starting our adult lives far in the Far East. Both of us had no idea that we would stay in Japan for a very long time and would master a specific Japanese art. Marco is one of the first Europeans to learn and master the shakuhachi and taiko drum in Japan, and I myself become a Kendo master. In 2008 NY brought us together.

Recently Marco joined my band SoSaLa on shakuhachi.

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