Author Archives: Sohrab Saadat Ladjevardi

DooBeeDoo recommendation to foreign musicians: APPLY FOR ONEBEAT September/October 2013 program!

OneBeat_LOGO_hannah1Applications deadline:  January 21, 2013!!

OneBeat is a music residency and tour program that brings together innovative young musicians (ages 19-35) from around the world to collaboratively create and perform new music, and develop ways music can make a positive impact on our communities. Their mission is to create a space for collaboration across cultural divides, so we invite musicians from all backgrounds: hip-hop, traditional, experimental, electronic, jazz, classical, sound and multimedia art, and more. Learn more at 1beat.org

Previvous post by DooBeeDooBeeDoo, 25.09.2012: OneBeat: A Mobile Cross-Cultural Exploration in Sonic Diplomacy bringing 32 musicians from 21 countries to US! Continue reading →

Recommended event: DRUMS FOR WARREN! A BENEFIT CONCERT FOR WARREN SMITH – helping Warren to rebuild the priceless percussion collection lost to Hurricane Sandy

Date: Sunday, January 20, 2013
Time: 2PM – 9PM
Venue: The Brecht Forum (451 West Street, New York)
Admission: $15. general/ $10. For seniors and students
Organizers: John Pietaro and Ras Moshe; presented by DISSIDENT ARTS & THE BRECHT FORUM

For more info see www.DissidentArts.com

Jazz, New Music and Free Improv musicians perform in a special fundraiser to help beloved percussionist, composer, teacher Warren Smith rebuild his priceless percussion collection lost to Hurricane Sandy’s flooding. Those instruments, obtained over decades of touring, include mallet instruments, numerous drums, timpani, a celeste and unique, hand-made percussives from around the world.

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Event Recommendation: SANGEET UTSAV – INDIAN MUSIC FESTIVAL @ Cornelia Street Cafe (NY)

In January 2011, South Indian Classical music landed at Cornelia Street Cafe with a new series called Carnatic Sundays. Now, its second mini-festival will explore the music’s tradition and its possibilities. At Sangeet Utsav, a mix of “kutcheri” style concert & innovative projects grounded in Carnatic music will take stage at the cafe. Featuring Kiran Ahluwalia, Roopa Mahadevan, and the Arun Ramamurthy Trio.

Venue: Cornelia Street Cafe, 29 Cornelia Street (btwn Bleeker & W.4th), New York, NY 10014
Ticket: $10
Date: Tuesday, January 15th, 2013
(doors at 8:30pm)

The ART will be joined by very special guest Marc Cary. Hailed by Down Beat as one of the most, “multi- dimensional keyboard players on the scene today,” whose music reveals those multi-dimensions in sensual living color, Marc Cary’s continual search for his musical identity has brought him to all corners of the earth, quenching his thirst to bring forth indigenous musics in all of their forms. A rare musician, Cary uses his understanding of the Indian raga system to create profound soundscapes which are accessible to all. Special guest: Trina Basu (ex TARANA).

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Is Salif really retiring soon, although his new CD “Talé” just came out?!

Text by Sohrab Saadat Ladjevardi

I just found out that my friend and music colleague Salif Keita released a new album Talé on Universal Rec.  Recently he was interviewed on Mali TV “Droit Libre”, in which he expressed his anger and disgust of the Malian government how they run the country. He also can’t accept the fact that musicians aren’t respected in Mali. They can’t live from their music and are exploited by the black market. Because of being mad at the political situation in his country and the miserable living conditions of musicians in Mali, he decided to retire from the music business! He wants to go back to his village and work their as a farmer. But before his retirement he still wants to play a couple of concerts.

If you ask me whether I can’t believe him. My answer is NO. I think he didn’t mean that. Becoming a farmer? That’s rediculous. I don’t want him to do something he can’t do. If he cares for his people and his country his job is to do his part as a musician to clean up the mess in his country. I’m very sure that his fans need him now more than ever. Now is the time that he shows what he stands for. He became a great musician and also rich because of their love and support. There was a time that he wanted to become a senator because he believed that he could become a positive force in the Malian political scene. I played my sax for him because I believed in him as a responsible man. A man who cares about his band, family and country. No, no and another no…I just hope that he has already changed his mind and talks about continuing playing. Because if he retires I wouldn’t try to see him again and play music in his village.

The interview (in French)

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Film Documentary: “THE HOUSE I LIVE IN” A film by Eugene Jarecki – The War on Drugs has never been about drugs!

Over the past 40 years, the War on Drugs has cost more than $1 trillion and accounted for over 45 million arrests. The U.S. holds 25% of the world’s prisoners, yet accounts for only 5% of the world’s population. Black individuals comprise 13% of the U.S. population and 14% of drug users, yet they are 37% of the people arrested for drug offenses and 56% of those incarcerated for drug crimes.

SYNOPSIS

As America remains embroiled in conflict overseas, a less visible war is taking place at home, costing countless lives, destroying families, and inflicting untold damage  upon future generations of Americans.  In forty years, the War on Drugs has accounted for more than 45 million arrests, made America the world’s largest jailer, and damaged poor communities at home and abroad. Yet for all that, drugs are cheaper, purer, and more available today than ever before.
Filmed in more than twenty states, THE HOUSE I LIVE IN captures heart-wrenching stories from individuals at all levels of America’s War on Drugs. From the dealer to the grieving mother, the narcotics officer to the senator, the inmate to the federal judge, the film offers a penetrating look inside  America’s longest war—a definitive portrait revealing its profound human rights implications.
The film recognizes the seriousness of drug abuse as a matter of public health,  and investigates the tragic errors and shortcomings that have meant this symptom is most often treated as a cause for law enforcement, creating a vast machine that largely feeds on America’s poor, and especially on minority communities. Beyond simple misguided policy, the film examines how political and economic corruption have fueled the war for 40 years, despite persistent evidence of its moral, economic, and practical failures.

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