Interview by DooBeeDooBeeDoo NY
I had the opportunity to interview Iranian musician Kaveh Haghtalab. He has been contributing music, sounds and rhythms with his kamancheh and drum skills to the New York’s music scene since 2012. His views on the music scene and business in his native Tehran and in New York City bring a fresh and informative view of our business and art.
DooBeeDooBeeDoo NY (DBD): Kaveh, it’s good of you to join us. Please let’s start with your background. You’re Iranian, originally from Tehran. What did you do before coming here? What made you come to New York City in 2012, and what have you been doing since your arrival?
Kaveh Haghtalab (KH): Thanks for having me here at DooBeeDooBeeDoo.
Interview by DooBeeDooBeeDoo NY editorial staff
DooBeeDoo (DBD): Salam Kamran!
Thanks for making time to do this interview with DooBeeDoo. We’re looking forward to seeing your show this Sunday at CA Music Room in New York.
You have great guests in your ensemble and also a strong band, SoSaLa, opening up for you.
Two different bands with two different sound and messages will be performing but both leaders have their roots in Iran. Is this the first time for you to play here?
(Photo courtesy of Kamran Hooshmand)
Interview by Richard Bennett
Photo courtesy of Arun Ramamurthy
The excellent violinist Arun Ramamurthy combines Carnatic music with jazz in his eponymously titled Arun Ramamurthy Trio. He lives in Brooklyn with wife, violinist Trina Basu and their baby son. When I offered him a baseball ticket in exchange for an interview, he quickly agreed. We sat in section 202 in the bleachers at Yankee Stadium on a sunny day. Arun was wearing a Don Mattingly Throwback Jersey. I bought Arun a hot dog and a beer and between innings we talked.
Richard Bennett (RB): In your ideal band, would you rather hire Questlove or Zakir Hussein?
Text by Richard Bennett
George Barba Yiorgi first appeared on the New York music scene as co-leader of the wildly successful Greek-rock band Annabouboula. When the group disbanded in 1994, he mysteriously disappeared for around twenty years. Rumours abounded; the most credible being that he was working as a merchant marine based out of Piraeus Greece. Barba Yiorgi reappeared in NYC in 2014, leading two groups, The ByzanTones (surf-rock) and Dervisi, a rembetika trio in which he sings and plays the tzouras, which is a thin string instrument related to the bouzouki.
Dervisi on SoundCloud: https://soundcloud.com/barba-yiorgi/sets/dervisi-live-2014-3-songs
Photo by Banning Eyre
Posted by Banning Eyre (Afropop Worldwide), December 22, 2014:
Mali’s pre-eminent singer/songwriter/bandleader came to New York this fall with an unusual act. In the past, he has brought blazing electric ensembles from Paris or New York, and, in recent years, a superb, mostly Malian band featuring acoustic African instruments. This time, the group was smaller still, even more acoustic, and they performed seated, like court musicians entertaining royalty. The music was transcendent, mixing Keita hits like “Tekere” and “Mandjou” with Mande traditional songs like “Sunjata,” the praise song for Salif’s 13th century ancestor, Sunjata Keita.