“The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted. Mark the music.” – William Shakespeare (The Merchant of Venice, act 5, scene 1)
On Friday, August 11th, 2017, white nationalists chose the largely liberal town of Charlottesville (Virginia) to stage a protest march. The alt-right, of whom white nationalists and white supremacists are an integral part. met with counter protesters. Violence and bloodshed erupted when an alt-rightist, in an indisputable an act of domestic terrorism, drove a car into a crowd of protesters, killing one and injuring several.
I, Sohrab Saadat Ladjevardi (DooBeeDoo chief editor) and Dawoud Kringle (DooBeeDoo main contributor) stand against white supremacy and the deadly violence committed by the alt-right or Nazi groups in Charlottesville (VA) last weekend.
It’s with great sadness that we announce the passing of beloved music man & longtime President of Blue Note Records, Bruce Lundvall. He was 79 years old. The cause was complications from a prolonged battle with Parkinson’s disease. Born in Englewood, New Jersey in 1935, Bruce was a lifelong jazz lover whose passion for the music was ignited by Clifford Brown, Charlie Parker & the other beboppers he heard as an underage teenager at clubs along West 52nd Street in New York City in the 1950s.
A self-described “failed saxophone player,” Bruce took an entry level marketing job at Columbia Records in 1960 and over the following two decades rose to lead the North American division of the label, signing artists including Dexter Gordon, Herbie Hancock, Stan Getz, Wynton Marsalis & Willie Nelson. After launching the Elektra/Musician label in 1982, he received the offer of a lifetime in 1984 when EMI approached him about reviving Blue Note Records which had been dormant for several years. He jumped at the chance, partnering with producer Michael Cuscuna to bring back the label’s earlier stars like Jimmy Smith, McCoy Tyner, Freddie Hubbard, Joe Henderson & Jackie McLean, and signing new artists including Dianne Reeves, Cassandra Wilson, Michel Petrucciani, John Scofield, Charlie Hunter and Medeski Martin & Wood.
Text by Ned Sublette from his newsletter nedslist, March 27, 2015
A quick music diary . . .
Saturday: Pedro Luis Ferrer
Sunday: Emilio Morales y Los Nuevo Amigos at La Zorra y El Cuervo
Monday: Harold López-Nussa
Tuesday: a triple play: the peña (regularly scheduled gig) of Pancho Amat at the Museo Nacional de la Música; Havana d’Primera at Casa de la Música Miramar; Aldo López-Gavilán
Wednesday: Roberto Carcassés y Interactivo at Bertolt Brecht
Thursday: Pupy Y Los Que Son, Son at Casa de la Música Galeano . . .
Tonight: Van Van at the Capri . . .
Tomorrow: Reguetón . . .
My overriding impression is that Cuba is in better shape than I’ve seen it, in terms of material conditions at least. People have more access to money and goods. There are more opportunities to monetize skills, and there is momentum and hope. There are fewer people pestering you in the street.