Author Archives: Sohrab Saadat Ladjevardi

Recommended Concert: Damon Banks’ “Travelguides” @ the STONE this Wednesday!

Date: Wednesday, December 19, 2012
Time: 10pm
Venue: The Stone (is located at the corner of Avenue C and 2nd Street)
Ticket: $10
Genre: music for imaginative people

Photo courtesy of Damon Banks

On Wednesday, December 19th, Bassist / Composer Damon Banks (and key member of SoSaLa) unleashes his new project entitled “Travelguides” – a collective that blurs the lines between world, experimental and cinematic music. This evolving project reflects the sights and sounds of Damon’s experiences traveling the world as a professional musician. Some of his colleagues call this music “the street corner where world, jazz and free improvisation meet … and fall in love” or better yet “a fresh approach to multi-media where compelling visuals and beautiful melodies connect with intense periods of group improvisation” …

Continue reading →

CD reviews: New CDs from “Evil Giraffes on Mars” and “the Hammer Klavier Trio”

Reviewed by Matt Cole

Two recent CDs, Cydonia from New York-based Evil Giraffes On Mars, and Rocket In The Pocket from German trio Hammer Klavier Trio, showcase two somewhat different approaches to making and flavoring modern jazz, while being just close enough to make for an interesting hypothetical double bill.

Artist: Evil Giraffes on Mars
Title: Cydonia
Label: Evil Giraffes on Mars (884501145428)
Genre: jazz

Cydonia, while rooted in jazz, draws sounds and influences from many other musical genres. At times, the sound is almost that of prog (“Where’s Dave,” “Black Tongue”) with odd and angular meters, metal guitar tones, and on the latter an overall sound that reminded me a little of Dream Theatre. Other songs took the feel of modern jazz (“Murky Water”), almost-Southern rock with a twin saxophone lead (“Morning on the Red Planet”), funk (“Merge”), and even a tango (the aptly named “Shango Tango”), while almost always retaining the band’s core sound. The band flows together tightly (but not so much so that it sounds rigid), has a wide and well-used dynamic range, can go from exuberant to ominous in the space of a song, and has a high energy throughout the album. The only thing I might have changed would have been to add a slower number; the frenetic pace does not slow down until the album’s eighth track (“Michael’s Ladder”); however, that is only a matter of taste. In general, the excellent playing by John Cave (guitar), Matt La Von (alto and soprano sax), Doron Lev (drums, percussion, hand claps, and giraffe noises), Jamaal Sawyer (tenor sax), and Ryan Slotnick (keyboards, and most of the songwriting) make for an enjoyable listen. This is a band which could do well both at progressive jazz clubs and prog rock festivals.

Continue reading →

Concert review: Ikhlaq Hussain live at The New York Insight Meditation Center

Date: November 16, 2012
Venue: The New York Insight Meditation Center

Review by Dawoud Kringle

The New York Insight Meditation Center recently hosted a concert by sitar virtuoso Ikhlaq Hussain.  Hussain is a musician of the Dehli gaharana (whose lineage dates back to Hazrat Amir Khousro), who plays in Gaykali Ang, a style wherein the instrument takes on the expressive qualities of vocal music. He was taught by his father Ustad Imdad Khan, and by Pandit Ravi Shankar. He performed in US, Europe, Middle East, UK, Pakistan, & India.

Continue reading →

Concert Recommendation: Sylvain Leroux “Quatuor Creole” CD release concert!

Date: Sunday, December 9, 2012
Time: 8pm – 9pm
Venue: ShapeShifter Lab (18 Whitwell Pl, between Carroll St & 1st St,Brooklyn, NY 11215, 646-820-9452)
Ticket: $10
Genre: world/jazz

On Thursday, November 1, 2012 Downbeat Rising Star Sylvain Leroux will present a live performance of his latest project “Quatuor Creole” featuring legendary vibist Karl Berger. Released in June, the CD has been well received by critics, eliciting such comments as: “… perfect contemporary music release…” (Dustin Garlitz, JazzTalent.com); “… gentle as a river in the afternoon sun.” (Thurston Hunger, KFJC); “… worthy addition to the canon of the world- jazz…” (Hrayr Attarian, All About Jazz); “… mellifluous acoustic quality…” (Howard Mandel, Jazz Beyond Jazz); “…belongs to a lineage of precious recordings […] such as CoDoNa, Oregon, Steve Wilson, Don Cherry, Dollar Brand and Chico Hamilton…” (Dan Behrman, Magazine Son & Image–translated from the French).

With Quatuor Creole, Leroux reexamines the fusion of European and African music that took place in the Americas and informs it with his deep experience.

Continue reading →