Artist: Music of Central Asia Vol.10: Borderlands:
Title: Wu Man and Master Musicians from the Silk Route
Label: Smithsonian Folkways
Cat.#: SFW40529
Genre: Music of Central Asia
Buy the CD here.
Recommended by Sohrab Saadat Ladjevardi
Artist: Music of Central Asia Vol.10: Borderlands:
Title: Wu Man and Master Musicians from the Silk Route
Label: Smithsonian Folkways
Cat.#: SFW40529
Genre: Music of Central Asia
Buy the CD here.
Recommended by Sohrab Saadat Ladjevardi
Title: This World Is Unreal Like A Snake In A Rope
Cat.#: DVD SF073
Label: Sublime Frequencies
Release date: out
Genre: trad. South Indian music
Buy the DVD here
A film by Robert Millis. Folk cinema from the eternal never-ending collage that is INDIA. A journey through the ancient Southern Indian state of Tamil Nadu featuring Hindu trance ceremonies, street music, festivals, nagaswaram improvisations, impossibly loud cities, ancient temples, processions, devotions, decay, fireworks, abstractions and more. India is impossible to know: it is impossibly old and impossibly new, impossibly rich and impossibly poor, quiet and chaotic. Offered here is one perspective, raw, captured live and in the moment, with an emphasis on India’s complex and mesmerizing sounds. DVD features bonus photo gallery with over 100 images. 50 minutes/Color; digipack; all-region DVD; NTSC format. Limited one-time edition of 1000 copies.
Date: Monday, June 25, 2012
Time: 7:30pm
Venue: Clemente Soto Velez Center (107 Suffolk St, New York, NY 10002)
Tickets: Door: $11 for 1 set, $16 : 2 set , $20 : All Night
Genre: Jazz/impeove/Nu Blues/dance
7:30PM – 8:30PM – Nicholson / Four Women with an Ax to Grind
Patricia Nicholson – dance, words Mazz Swift – violin Kris Davis – piano Tiffany Chang – drums
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Date: Friday, June 15, 2012
Venue: the Roulette
Reviewed by Matt Cole
One of the many interesting things about the New York City jazz scene is that it is large enough to have a number of separate sub-scenes that have little overlap between performers (and quite possibly audience, though that is much harder to quantify). While this can certainly feel like cliquishness at times, I suspect that a fairly large part of it is that people have only so much time available, and can devote themselves to only so many bands; thus there is a natural tendency to fall into somewhat vaguely-defined groups. This doesn’t, of course, remove the danger of insularity and diminishing musical cross-fertilization. At any rate, this phenomenon can be seen by contrasting the recent 17th Vision Festival with last winter’s Winter Jazzfest — two events with very different lineups and to a certain extent musical feels. Yet, both events can be put under the aegis of modern jazz. The crowds were different, too: Winter Jazzfest had a younger crowd which seemed right at home in the West Village venues which it calls home, while the Vision Festival has a formal, almost classical feel to it, complete with the occasional shushing (though to be fair, there was some seriously pianissimo music at times).
Text by 577 Records
(Read more here: http://www.kickstarter.com/projects/1987855001/577-records-curator-series-2012-0)