Author Archives: Sohrab Saadat Ladjevardi

Video Daughters – Get Me A Body…..the Video……..

Text by Jim Hoey

The new Video Daughters album hits the world on Dec. 6th, and this video is proof of real tangible gains and successes since an earlier demo, sweat and blood-like in the studio to make it all appear before you as it is. What I take away from watching it is a real pastiche of the classic NYC thing, someone from there comes to do what they did before, but HERE, for the fun and hell and chance and challenge of it. The vocals remind me of American hope too smart to be blind, and some disgust and joy and whatnot. Who the hell knows though, cuz this video blinks from a platform station outside to faces and morphing torsos gimping at the shoulder, and then we’re back on the street and I catch a line about future businessmen of the world with shit on their dicks, then hypnotic swirls and baby faces, and mouths open with eyeballs superimposed on backs, and then tongues with littler mouths singing from their surface. Great editing within this one visually, and the music is glitchy on the edges and lo-fi centrally, but really pure new Americana overall. Check it for yourself.

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Dance Theatre: Lorca! Duende by Carolina Fonseca

Date: November 12, 2011
Venue: TheaterLa (NY)

Dance review by Sarah Rayani

As performers, we all hope to communicate something through our art, to our audience. I find,  that sometimes we get so engrossed in the actual technicality of a song or dance, that we forget about this communication with the audience. The philosophy of Duende, a word and idea conceptualiser in Spain and tied closely to Flamenco,  places this communication of intense emotion over any other aspect of performance. Although one could easily spend years studying what Duende is, what it means and how to capture it, my cliff notes understanding is this: Duende is the emotion that a performer makes the audience feel – which is so new, intense and deep for both,  that it moves the audience to a place of discomfort.  Duende is a dark force of the Earth that borders on death and evil, and overtakes the performer involved.

Although  I had never seen the dance form of Duende before, I find the philosophy fascinating and important for all artists to ponder. After all, if we don’t leave our audience moved to a new place, what have we really given them? Federico García Lorca wrote an essay about Duende called “A Poet in New York and Theory of Duende.”  Lorca! Duende, by Carolina Fonseca is a physical manifestation of Lorca’s explanation of Duende. Find the essay here.

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Music listings – 11/28 through 12/4

1. Red Baraat w. Gato Loco, My Pet Dragon

Date: Monday, November 28, 2011
Time: 8pm
Venue: BROOKLYN BOWL (61 Wythe Avenue, Brooklyn, NY 11211, 718-963-3369)
Ticket: $5
Genre: Bhangara/New Orleans Jazz

In just over two short years, the pioneering Brooklyn dhol and brass party juggernaut RED BARAAT have become known as one of the best live bands playing anywhere. Led by dhol player Sunny Jain, the nine piece (comprised of dhol ((double-sided barrel shaped North Indian drum slung over one shoulder)) drumset, percussion, sousaphone, and 5 horns melds the infectious North Indian rhythm Bhangra with a host of sounds, namely funk, go-go, latin, and jazz.

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Remembering Paul Motian: Larry Blumenfeld talks about Paul Motian

Yesterday, we learned that drummer, bandleader, and composer Paul Motian had died. Yesterday writer Larry Blumenfeld talked about Paul Motian today on John Schaefer’s “Soundcheck” on WNYC-FM. Available streaming of the radio show:
http://www.wnyc.org/shows/soundcheck/2011/nov/23/remembering-paul-motian/

 

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Musician in NY Feature: Hendrik Meurkens “My mission is simple…I want to create music of great beauty.”

Text by Sohrab Saadat Ladjevardi

Caricature by Felix Wagner of the old, old Samba Jazz Group back in Berlin in the late 80s, with Felix Wagner, piano; Guilherme Castro, bass: and Zito Ferreira, drums.

Today I would like to introduce you to Hendrik Meurkens who is from my hometown Hamburg, Germany but now based in New York. I met him in spring at MICHIKO STUDIOS’ when I was the studio manager there. Because we had a cat in the studio and Meurkens was allergic to cats, I  always gave him the “cat free” studio upstairs.

Meurkens was first a two-mallet player in the tradition of Milt Jackson and Bobby Hutcherson, but when he heard Toots Thielemans’ harmonica, he changed to this instrument which he taught himself. He’s also a composer whose compositions have been recorded by other artists and featured in the Hollywood movie “Dolores Claiborne”.

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