Category Archives: CD Reviews

CD review: The Mast “Wild Poppies”…How did profit trump well-being?

Artist: The Mast
Title: Wild Poppies
Label: Channel A Records (self released)
Genre: psychedelic indie rock

Review by Dawoud Kringle

Every now and again, a CD comes my way that ends up dominating my CD player for a time. Every now and again, a body of music crosses my path that insinuates itself into my psyche, and speaks to me.

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CD review: a special woman’s work – woodwind artist Clare Daly’s concept album

Artist: Claire Daly Quintet
Title: Mary Joyce Project: Nothing To Lose
Label: Daly Bread Rec
Genre: Jazz
Reviewed by Jeremy Siskind

Woodwind artist Clare Daly’s concept album, The Mary Joyce Project: Nothing To Lose, based on the inspiring arctic-exploring biography of Daly’s father’s first cousin, is conceived and performed with palpable sincerity and warmth. The music consists mainly of vamp and riff-based tunes for jazz quartet augmented by beat-boxer Napoleon Maddox, whose breathy sounds somehow recall the arctic vastness of Joyce’s journeying; in addition, many of the pieces utilize an American Indian-style pentatonicism to set the mood, even including some chanting and sled-dog yipping. The record is highlighted by the purring warmth of Daly’s baritone saxophone sound (she also plays some flute), readings of some of Joyce’s journal entries over vamps, and very solid rhythm section work by Mary Ann McSweeney and drummer Peter Grant.

CD Review: Kiosk – a pioneer of Iran’s underground music movement, presents a compilation of new songs and old favorites, recorded live at the legendary jazz club, Yoshi’s of San Francisco in 2010

Triple-DistilledArtist: Kiosk
Title: Triple Distilled – Live at Yoshi’s “Seh Taghtireh”
Label: 9821 Productions
Genre: World/Persian contemporary

Review by Piruz Partow

Kiosks live recording at the world famous Yoshi’s Jazz Club in Oakland is a fun listen with upbeat   energy and spirit. For the non-Farsi speaker, a lot can be lost with this recording, so it is recommended to refer to the Kiosk website that conveniently gives translations of the song. This record has a lot of gypsy spirit to it compared to other recordings by Kiosk that are more rock and funk oriented. With heavy violin and accordion this album really shows a heavy influence in the Jazz Manouche or Gypsy Jazz that was created by the great Django Reinhardt in Europe in the mid 20th century. A real highlight on the record is a guest appearance by Bruno Pelletier who plays in a very gitan/gypsy style on several tracks. Where some live albums tend to hold a band back and show their limitations, this record shows how versatile and diverse Kiosk is. The sound quality and arrangements are top notch with quality musicianship filled with both intensity and control. This record is a must for any farsi speaking music lover.

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CD Review: Brandon Terzic’ Xalam Project

Artist: Brandon Terzic Xalam Project
Title: s/t
Label: self released
Genre: arabic jazzy fusion

Review by Dawoud Kringle

Earthy notes spill from an oud, like raindrops on ancient wood. A saxophone seeks out an exotic note somewhere between an equally tempered E and an Eb, and seduces it into a counter melody. The two voices converse, sharing each other’s ideas and passions. Percussions hang ornaments in the air, and the bass reaches under this dancing visceral language between two cultures, and lifts it into flight. Eventually, the oud asserts itself and makes a final statement.

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