Category Archives: Concert And Event Reviews

Concert Review from New Orleans: Dr. Lonnie Smith emitting jazz licks that tickle the dark cobwebbed corners of the brain?!

Lonnie at SnugVenue: Snug Harbor (New Orleans)
Date: November 29, 2013

Review and photo by DJ Ruby (DooBeeDoo’s New Orleans contributor)

Sublime may be the only appropriate way to describe B3 organ master Dr. Lonnie Smith’s November 29th performance for the small but packed room at Snug Harbor on bustling Frenchmen Street. With each key change the audience followed him eagerly through levels of exaltation in the music that seemed to ooze from his fingers.

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Concert Review: Arto Tunçboyaciyan & Friends Performing “Avantgarde Folk”

Date: October 27, 2013
Venue: Le Poisson Rouge (NY)

Review by Dawoud Kringle

On an early Sunday night, Le Poisson Rouge was packed to the rafters for a performance of Armenian jazz. The show was billed as “Armenian Jazz with Arto & Friends.” The concert was dedicated to Paul Motian, and Armenian American whose musical legacy barely requires an introduction.

Arto & friends is Arto Tunçboyaciyan (percussion, drums, vocals, guitar), Lucy Yeghiazarayan (violin, vocals), Tatev Yeghiazarayan (piano, vocals, percussion), Michael Sarian (trumpet), and Noah Garabedian (bass).

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Concert Review: TomChess Bandit Hat… a band of virtuosos whose music must be experienced!

Date: October 18, 2013
Venue: Spectrum (NY)

Review and videos by Dawoud Kringle

Friday afternoons are an unusual time of the day to hold a concert. CMJ was holding a big shindig at Arlen’s Grocery and you get your occasional concert in the park. But it’s still not conventional: at least not for music venues. However, Spectrum (a music/art/science venue on Manhattan’s lower east side that combines a fearless urge to present the best of New York’s underground elite in a comfortable home-like setting) had other ideas. One Friday I ventured to attend the performance of Tom Chess‘ ensemble Bandit Hat (Tom Chess; oud/ney, Jimmy Mngwandi; bass, and Daniel Kurfirst; drums/percussion).

The music started with some free, atonal smokiness from the bass, which was shattered by a scintillating punch in the sternum from the oud, and directed the formless sounds toward its own tonality. The percussion eased in, and it all coalesced into a Moroccan sounding 6/8 groove. From there, the audience was swept up in a modern magic carpet ride.

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Concert Review: Suwon Civic Chorale… The question of the price they paid for mastery of western music was answered.

Suwon_230_385[18204]Venue: Alice Tully Hall, at Lincoln Center (NY)
Date: October 19th, 2013

Concert Review by Dawoud Kringle

When I was offered a ticket to attend the performance of the Suwon Civic Chorale at Alice Tully Hall at Lincoln Centre, I was intrigued. It has been my experience with Koreans (South Koreans, that is) that they devote a great deal of their energy to mastering the arts and music of the west. And while there is nothing inherently wrong or blameworthy about this, I cannot help but wonder if Korea has done this at its own expense. I cannot, in my entire life, recall hearing traditional/classical Korean music.

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Concert Review: Kaveh Haghtalab and (guest) Sohrab Saadat Ladjevardy play the Persian blues… It was all poetry…!

995924_10151566077138074_162987090_nDate: October 1, 2013
Venue: Cafe Nadery (NY)

Review by Dawoud Kringle

One must experience the scene at Cafe Nadery. It’s Iranian culture distilled into a small gathering place within which modern Persian intellectuals, artists, and philosophers, fiercely independent and slightly eccentric men, and impossibly beautiful women cultivate an Iranian American subculture.

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