Category Archives: Concert And Event Reviews

Event review: Friday Night At The Vision Festival 17

Date: Friday, June 15, 2012
Venue: the Roulette

Reviewed by Matt Cole

One of the many interesting things about the New York City jazz scene is that it is large enough to have a number of separate sub-scenes that have little overlap between performers (and quite possibly audience, though that is much harder to quantify). While this can certainly feel like cliquishness at times, I suspect that a fairly large part of it is that people have only so much time available, and can devote themselves to only so many bands; thus there is a natural tendency to fall into somewhat vaguely-defined groups. This doesn’t, of course, remove the danger of insularity and diminishing musical cross-fertilization. At any rate, this phenomenon can be seen by contrasting the recent 17th Vision Festival with last winter’s Winter Jazzfest — two events with very different lineups and to a certain extent musical feels. Yet, both events can be put under the aegis of modern jazz. The crowds were different, too: Winter Jazzfest had a younger crowd which seemed right at home in the West Village venues which it calls home, while the Vision Festival has a formal, almost classical feel to it, complete with the occasional shushing (though to be fair, there was some seriously pianissimo music at times).

Concert review: Afrocubism Celebrates Brooklyn!

Date: June 9, 2012
Venue: Prospect Park /Bandshell (Brooklyn, NY)

Review by Augusta Palmer

Though the weather forecast threatened a downpour, the skies miraculously cleared just as the opening act, Alsarah and the Nubatones, took the stage at Prospect Park last Saturday for the second show in the 2012 Celebrate Brooklyn Season. Alsarah is a Sudanese-born singer, songwriter, and ethnomusicologist with a gorgeous, velvet- toned voice. Alsarah and the Nubatones played a selection of Nubian “songs of return” from the 1970s as well as original material and traditional music from central Sudan. The band, which also includes Karine Fleurima on vocals, Haig Manoukian on oud, Rami El Aasser on percussion, and Mawuena Kodjovi on bass, got the crowd moving with their beautiful vocal duets, lyrical oud, and infectious beat.

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Concert review: Jeremy Siskind…sometimes great music just falls into your lap!

Date: May 30, 2012
Venue: Carnegie Hall
Concert review by Dawoud Kringle

Sometimes great music just falls into your lap. The founder and editor of DooBeeDooBeeDoo called me at the last minute and asked if I would review a recital at Carnegie Hall’s Weill Hall. This was somewhat inconvenient for me, as I had an early performance of my own that day. But, I agreed. After my own performance on a pleasant summer evening, I ran home, dropped off my instruments and headed for the legendary venue to listen to a pianist I’d never heard of. 

That pianist is Jeremy Siskind.

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A matinee performance by New York’s Gamelan Dharma Swara group @ Le Poisson Rouge

Date: May 20, 2012
Venue: Le Poisson Rouge (NY)
Photos: C. Bay Millin
Review by Jim Hoey

Sunday, May 20, 2012 – On this bright Sunday, I found myself slipping into Le Poisson Rouge and down their steps for a matinee performance by New York’s Gamelan Dharma Swara group. The space was dark, set up with chairs for the sit-down lunch crowd, and the stage was curiously lined with the golden-hued gamelan instruments including the metallophones (gambang, slenthem, saron, gender), gongs, and other percussion instruments (like the kettle-like kenang and bonang) of the Balinese art form that predates the arrival of Hindu and Buddhist culture on the islands of Indonesia.

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Concert review: Taikoza banged the big barrel-sized taiko here among the steel and concrete skyscrapers of New York…

Date: Saturday, May 5, 2012
Venue: The Manhattan Movement and Arts Center
Videos and photos: by Sohrab Saadat Ladjevardi
Concert review by Jim Hoey

Taiko is an ancient form of Japanese drumming that most New Yorkers have no familiarity with, yet recently the Taikoza group, led by Swiss-born director Marco Lienhardbanged the big barrel-sized  taiko here among the steel and concrete skyscrapers of New York in the time-honored, Japanese, tradition of cleansing the Spring atmosphere of evil spirits through the banging of drums, dancing, and playing of flutes (shakahachi and fue), and a Japanese 13 strings instrument (koto).

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