Category Archives: Concert And Event Reviews

Event review: 2011 Jazz Journalism Awards

Text by Augusta Palmer

It was an honor and a pleasure to attend this year’s Jazz Journalists Association Awards on June 11th. The ceremony, held this year at City Winery, is a benefit for the JJA, an organization that works very hard to honor the musicians and writers who keep jazz alive. I was particularly impressed to hear about their new eyeJAZZ program, which hopes to put more visual technology in the hands of jazz writers, and thereby create better videos for all of us out there watching on YouTube and elsewhere. In keeping with this tech-savvy spirit, the 2011 JJA awards were not only live in new York, but were also streamed live on the internet and linked via webcast to satellite parties held  in Berkeley, Boston, Chicago, Nashville, Portland, Seattle, Tallahassee and Washington, D.C.
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The JJA gives Awards for players of nearly every instrument in the jazz repertoire as well as to the journalists who cover them. The full list of winners, including Joe Lovano, Sonny Rollins, Blue Note Records, Mosaic Records and Ambrose Akinmusire can be found here, but I was particularly pleased to see that, among the many musicians honored, the late great Billy Bang received the award for Jazz Violinist of the year. His award was eloquently accepted by Kahil El’Zabar, a frequent collaborator.

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Japanese guitar drums duo PIKACHU-MAKOTO at Death By Audio (NY)

Date: May, 2011
Venue: Death By Audio (NY)

Text by Jim Hoey

What should be known about this guitar drums duo is that they are former/current members of Afrirampo and Acid Mothers Temple, 2 hard hitting punk/psychedelic rock bands from Japan. Also to be know is that they are in the middle of a one month tour of the US, and if you find yourself on the east coast or somewhere between NYC and southern California, you might be close enough to road trip over to one of their gigs soon.

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The Residents will never die, they are what they were!!!!!

Date: March 31, 2011
Venue: Highline Ballroom (NY)

Concert review by Jim Hoey

The Residents still baffle and riddle their audience with questions of identity: Who are these freaks? Where did they come from? How do they turn out such twisted songs? What their fans DO know for sure is that they’ve been around almost as long as the Rolling Stones or Black Sabbath, have put out over 60 albums, and they came out of some swamp or dark lair of Louisiana, before heading to San Fran in the late 60’s. The rest is just hearsay. Although they did release Meet The Residents in 1972, (a parody of Meet the Beatles more in line with Zappa or Captain Beefheart), since that time they have been popping up in different incarnations, with consistently demanding and challenging punk, gothic, and noise releases over the past 3 decades.

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Salieu Suso: a serious practitioner of an art that dates back to the earliest days of the Malian empire.

Concert review by Augusta Palmer

Every Friday night between 8 and 11 in Clinton Hill, Brooklyn, you can be part of a musical tradition that’s almost 1000 years old. That’s the time that Sulieu Suso plays kora every week at Le Grand Dakar, Chef Pierre Thiam’s elegant restaurant.

A native of Senegambia, Mr. Suso has been playing the kora, an instrument made from a hollow gourd fitted with a rosewood neck and with 21 strings, since he began studying with his father at age 8. Sulieu Suso is a descendent of JaliMady Walyn Suso, who is often credited with inventing the instrument, and he’s a serious practitioner of an art that dates back to the earliest days of the Malian empire.

There are few instruments that instill a sense of uplift and peace like the kora, and Mr. Suso plays it masterfully. I’d heard him play twice recently with Randy Weston, and was delighted to hear that he has a regular weekly solo gig just a few blocks from my house.

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