Tag Archives: Sohrab Saadat Ladjevardi

Vinyl and DVD reviews: Pascal Plantinga – moody pop sensibility from Holland

Review  by Jim Hoey

A flurry of activity has reached us here in NYC from Dutch-based sound artist Pascal Plantinga. Three releases from the Ata Tak label have come out recently, featuring Platinga’s production and bass work, as well as vocals, with his moody pop sensibility the constant on all of these recordings. One features a collaboration with a traditional Japanese samisen player, another, a found-sound pop project, and the third is a live album, recorded at The Stone in NYC in 2009, with sax, and electronics. Bundled with this release is also a short film, entitled Learn To Speak Your Language, which is his visual and musical interpretation of what goes through a person’s mind in the seconds before they die.

A so-called “pop-eccentric”, Plantinga seems to be pretty damn busy right now, churning out these different recordings, showing off different sides of his approach to music. From Holland he seems to get around, working with a singer in Okinawa, Japan, downtown scene musicians in NYC, and his hometown crew in the Netherlands. What remains constant though, is his ability to capture the feeling of a moment and craft it into a slow-boiling song that rides out the emotion, checks through a number of possibilities, and eases into the most appropriate vein of expression.

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Music listings – 11/28 through 12/4

1. Red Baraat w. Gato Loco, My Pet Dragon

Date: Monday, November 28, 2011
Time: 8pm
Venue: BROOKLYN BOWL (61 Wythe Avenue, Brooklyn, NY 11211, 718-963-3369)
Ticket: $5
Genre: Bhangara/New Orleans Jazz

In just over two short years, the pioneering Brooklyn dhol and brass party juggernaut RED BARAAT have become known as one of the best live bands playing anywhere. Led by dhol player Sunny Jain, the nine piece (comprised of dhol ((double-sided barrel shaped North Indian drum slung over one shoulder)) drumset, percussion, sousaphone, and 5 horns melds the infectious North Indian rhythm Bhangra with a host of sounds, namely funk, go-go, latin, and jazz.

Check out Sunny Jain’s interview in DooBeeDoo Continue reading

Mr. Rosen, you and your festival missed a great chance to be a “real and meaningful festival!

Text by Sohrab Saadat Ladjevardi

Daniel H. Rosen response to my article of To D.H. Rosen’s Kodo’s Earth Celebration (Japan) PR: is Japan really OK? (03/11/2011)

“Last month I posted a video of a Niigata Television news report that featured my involvement with a live-streaming project at Earth Celebration 2011. I then received a response from Sohrab Saadat Ladjevardi from the “DooBeeDooBeeDoo” blog who took issue with my suggestion that “Japan is OK.” Mr. Ladjevardi makes some important points so I thought I would share his blog entry in my newsletter. However, I would also like to explain my intention was only to show the world that Japan is still a vibrant place where life is celebrated (as opposed to being a nuclear wasteland), not that everything is rosy and the dangers aren’t real. Yes, Japan has a lot to learn from past mistakes and the nuclear issue is very serious, but when I said “Japan is OK,” I meant it in the context that the piece was intended– i.e. that it is OK for tourists to come back, which I do believe to be true. For those of us that actually live here, the long-term affects of elevated radiation may very well be a health risk, but the idea that people outside of Japan have a better understanding of the situation than those of us on the ground is ridiculous if not infuriating. Peace out!”

This commentary appeared in Rosen’s “TokyoDex Newsletter 11月号” which I subscribe to. Good to know that he read my article and thought about it. Unfortunately he didn’t respond to me or to DooBeeDooBeeDoo directly, although I had emailed him directly to inform him about my post. So I guess he didn’t want to speak with me directly. Nonetheless,…at least I got some response from him.

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Underground Comedy: Strange Talk In the Basement with Jerry Haas (At Donny Vulture’s)!

Text by Jim Hoey

Underground, (literally underground) comedy, is alive in a Brooklyn basement known as Donny Vulture’s. To get there for some laughs and to hear probing interviews with local stars, and questions beamed in from a microwave (huh? what!?), you have to hop on the L train, hightail it to Montrose, and step out past the Dominican barbershop, the Vortex thrift store, and the Danbro music studios, to where it all takes place.

It’s by invite only (Shhhhh…), so if you are lucky enough to be on the list, or know someone who might bring you around, you’re in for a few hours of homespun laughs and giddy shenanigans orchestrated by one Jerry Haas, a mysterious personality who, judging by his accent, may have made his way to New York by way of Florida, Georgia, North Carolina, or the Colonel Sanders
school for young lost reprobates. Thankfully this guy knows his way around a small, cramped stage and if you’ve ever been over to the Upright Citizen’s Brigade, or a corner by a bodega in Bushwick, you might have an idea of what level of repartee you’ll be in for. Check out the video below, where you’ll see one curious saxophone player in the spotlight at Donny Vulture’s.

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Is Rock Dead? 6 Acts That Could Save Rock?

Text by Sohrab Saadat Ladjevardi

Miles Davis declared Jazz is dead (it’s) the music of a museum. Frank Zappa said Jazz isn’t dead. It just smells funny. How about rock music?

The Guardian (UK) said in January: “It is a claim made before by, among others, Lenny Kravitz and the Swedish garage band the Hellacopters. But today, after years of struggle, came evidence to support the fearsome claim: rock’n’roll is dead.” Read more.

Anyway I don’t care whether certain music styles are dead. On the contrary, I only care about bands which play emotional and passionate music. I mean, music that really feels alive and speaks to me.

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