Tag Archives: SoSaLa

NY Musician Feature: Michael Wimberly (P.2) – 2 book releases, 1 video interview and 2 workshop videos!

cajon-pack1Raised in Cleveland, Ohio, Michael Wimberly set off for New York in 1982, quickly carving out a niche for himself as an eclectic percussionist. It was there he performed in duets, quartets and larger ensembles sculpting his unique musical voice.  For example, with Steve Coleman’s Five Elements (including David Gilmore, Marvin Smitty’ Smith and Ravi Coltrane) he collaborated on many projects, live and in the studio, in which radical conceptual pieces were refined for performance.

In addition to being a drummer, pianist and percussionist, Michael Wimberly is also a composer and sound designer who has written for prestigious New York dance companies (Alvin Ailey Dance Theater, Urban Bush Women and Joffrey Ballet), Theaters and Independent Film Makers.  Although his percussive repertoire is replete with traditional rhythms, Michael is known for playing cutting-edge music involving spontaneous improvisation and composed works with International Symphony Orchestras.

Michael holds a Masters Degree from The Manhattan School of Music and is currently a professor at Bennington College in Vermont and a faculty member at The Collective (formerly Drummers Collective). He is the founder of “Power of Drum”, a percussive arts and education event held annually in NYC, which has now expanded to Portugal and Spain.

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A Personal Concert Review: SoSaLa…Sohrab…love to pursue his challenging sounds…

IMG_3465Date: June 28, 2013IMG_7969
Venue: Clemente Soto Velez Center (NY)
Text and photos by Mehran Farahbakhsh

Most musicians bring their sounds into music, that is what music making is about. Sounds to refine to the musicians imaginations, in case of this young man:). SoSaLa‘s Sohrab. Somewhat there is a different jazz in play, Sohrab takes the music and brings it to his sounds, by that I mean, he uses the established sounds of music and evolves it to outside boundaries of recognition, it is his rebellious nature, against the ideas of entertainment, or danceable, or may be your ordinary expectation of sounds, musical tunes are used nostalgically as he is taking you somewhere, an unknown edge of imagination, the high energy state of chaos.

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Music Listings – 6/24 through 6/30

1. THE PHANTOM FAMILY HALO/CHRIS GRIER (TO LIVE AND SHAVE IN L.A.) & GIBBY HAYNES (BUTTHOLE SURFERS) ACOUSTIC DUO/MARTIN BISI/INVISIBLE THINGS/DIAMOND TERRIFIER

Date: Monday, June 24, 2013
Time: 7:30pm
Venue:  Bowery Electric (327 Bowery, New York, NY 10003)
Price: $8
Genre: indie/folk rock

“The show has a surprising number of ‘names’ to throw around. at least ‘names’ to post-rock and psych devotees. Z’s have be shaking things up in NYC.. the side project should be awesome – Phantom Family Halo toured with Lydia Lunch’s Retrovirus last year – Gibby from Butthole Surfers should be totally, yes,, interesting.
and there’s more” – Martin Bisi
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Concert Review: SoSaLa – A Young Band Whose Sound Still Has Great Potential To Grow And Develop…

Date:  Thursday May 2, 2013
Venue: Nublu (NY)

Review by Ancelmo James (soundcloud)

Last Thursday night I made my way across the Williamsburg Bridge to check out SoSaLa – a band lead by Sohrab Saadat Ladjevardi. The show was interesting for a number of reasons the first of which I shall point out being that the band is comprised of a unique arrangement of instruments. Sohrab, the leader and front man of SoSaLa plays the saxophone accompanied by Michael Wimberly on drums and djembe, Dave Ross on guitar, John Pietaro on vibraphone and Bradely Madsen on trombone, and at times Jeremy Danneman on clarinet as well. As the preceding list indicates, SoSala, is without a bass player.  Although this, as I understand is not a stylistic choice, and rather a matter of circumstance, it certainly pushes the band’s sound in a certain direction. To put it bluntly, SoSala is missing out on some low end frequencies. In lieu of no bass player, it appeared as though the trombone player, with the aid of some effects through a mic, was experimenting with some synth-like bass tones.

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