Text by Banning Eyre
In January and February, I made my fifth visit to Bamako, Mali. It was the first time back in ten years, and I was there with Sean Barlow to research new programs for Afropop Worldwide. We were especially interested to see how musicians’ lives had been affected in the aftermath of tumultuous events in 2012 and 2013 – namely, a rebellion in the north, eight months of sharia law under which music was banned in northern cities like Timbuktu, Gao and Kidal, a coup d’etat in Bamako, French military action to restore the nation’s sovereignty, and fraught elections bringing a new, fragile civilian government to power.