Date: Saturday, June 4, 2011
Venue: Town Hall (NY)
Concert review by Augusta Palmer
Date: Saturday, June 4, 2011
Venue: Town Hall (NY)
Concert review by Augusta Palmer
Text by Augusta Palmer
It was an honor and a pleasure to attend this year’s Jazz Journalists Association Awards on June 11th. The ceremony, held this year at City Winery, is a benefit for the JJA, an organization that works very hard to honor the musicians and writers who keep jazz alive. I was particularly impressed to hear about their new eyeJAZZ program, which hopes to put more visual technology in the hands of jazz writers, and thereby create better videos for all of us out there watching on YouTube and elsewhere. In keeping with this tech-savvy spirit, the 2011 JJA awards were not only live in new York, but were also streamed live on the internet and linked via webcast to satellite parties held in Berkeley, Boston, Chicago, Nashville, Portland, Seattle, Tallahassee and Washington, D.C.
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The JJA gives Awards for players of nearly every instrument in the jazz repertoire as well as to the journalists who cover them. The full list of winners, including Joe Lovano, Sonny Rollins, Blue Note Records, Mosaic Records and Ambrose Akinmusire can be found here, but I was particularly pleased to see that, among the many musicians honored, the late great Billy Bang received the award for Jazz Violinist of the year. His award was eloquently accepted by Kahil El’Zabar, a frequent collaborator.
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Battle for Brooklyn explores the poorly understood phenomenon of eminent domain abuse. A feature-length documentary from filmmakers Michael Galinsky, Suki Hawley, and David Beilinson, this film investigates how real estate developers, local government, community activists, and the media have clashed over the largest single-source development project ever proposed in New York City.
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Widely known as the Atlantic Yards project, this undertaking has for the past four years been a major source of contention as local residents resist a billionaire developers attempt to use eminent domain to seize their homes and businesses. Done in the name of “development,” schemes such as this one eviscerate private property rights and make a mockery of the Fifth Amendment–and yet they freely exploit lucrative taxpayer subsidies, easements, and tax abatements.
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Text by Sara Dotes
In 2009, .es started out as contemporary multi-media music unit based at “Gallery Nomart” in Osaka, Japan. .es consists of Takayuki Hashimoto (guitar, alto saxophone and harmonica etc), Sara (piano, cajon and dance etc ) and Satoshi Hayashi, modern art director and producer of .es. Hashimoto and Sara are multi-instrumentalists and also Sara occasionally dances with Hashimoto’s sound. Their live music performances all have a different theme and they choose instruments appropriate for each theme. All of their performances are in an improvised style.
The two members of .es (Hashimoto and Sara) came to respect and play various musical styles such as rock, punk, classical music, flamenco, and increasingly found themselves wanting to express the impulse on principles and unchangeable soul.