Artist: Renaud Garcia-Fons
Genre: French double bassist presenting his modern take on Andalusian cante jondo and Maqam.
Live concerts: on 28 and 29 June 2024 in Anstruther, Scotland, as part of the 20th iteration of the East Neuk Festival, a boutique annual international music and arts festival.
Photos courtesy of East Neuk Fest’s official photographer, Neil Hanna.
Text by Dawoud Kringle
Saxophonist, bandleader of The Contortions and Teenage Jesus and the Jerks, and No Wave pioneer James Chance passed away.
Born James Alan Siegfried in Milwaukee, Chance began studying piano in elementary school and in his teens began playing the alto saxophone. He attended Michigan State University and Wisconsin Conservatory of Music in Milwaukee where he formed the James Siegfried Quintet and Death, a Stooges-influenced group. He would later study with jazz saxophonist David Murray.
He moved to New York in 1975 and began using the stage name James Chance. A year later he formed Teenage Jesus and the Jerks with singer Lydia Lunch. In 1977 he formed the first version of the Contortions.
(Note: this is Jerome Harris’ submission for Local 802’s A.I. series who has been a member of Local 802 since 1979. Sohrab who’s also a member of Local 802 read this article in ALLEGRO – the Local 802 digital publication of news, articles, and discussions about issues that are important for organized musicians – and got permission from Jerome to share it with the MFM community.)
When thinking about artificial intelligence from the perspective of those for whom music making is a livelihood, it’s useful to note a distinction. There are various forms of AI; the one that is most concerning for workers in creative fields is generative AI. This technology can assemble (“generate”) new material based on the patterns it finds in old material. This involves feeding vast amounts of digitized data — including recorded music — into powerful computer systems designed to analyze and isolate patterns. This is called “training” these AI systems. The systems can then be ordered to fabricate recordings based on those patterns, as specified by commands such as text-based prompts. Note that the underlying compositions and their recordings that are being used for AI training were created by humans and are owned by them or by business entities unless they are in the public domain.
A Music Review by Dawoud Kringle
Artist: Future350 Feat. Vanessa Falabella
Titel: Nu-Bossa Elixir’s. Stephen R Johnson with Vanessa Falabella
Label: Movita Records
Genre: Nu Bossa
Stephen Johnson (guitarist, vocalist, Polydor recording artist, head of the MFM Hudson Valley Chapter, founder of Edge, Vienna, Victorian Parents, Son of John, Island of Men, ‘luckymission’ (Green) and Future350) has just released a new album called Nu-Bossa Elixir’s, a collaboration with MFM member Brazilian vocalist Venessa Falabella.
Text by Dawoud Kringle
Iranian rapper/poet Toomaj Salehi has been sentenced to death!
Salehi was born in Iran on December 3rd, 1990. He is a laborer in a metalworks factory. He began recording hip-hop as a means of protest against the social injustices of the Iranian regime.
