The Rhythmic and Harmonic History of Brazilian Music from Choro to Bossa Nova
Report by Dawoud Kringle
On Friday, March 26, 2021, MFM presented its 4th Zoom Webinar. MFM Members Richard Miller and Stephen Johnson presented a discussion on the history of Brazilian music.
Guitarist Richard Miller has performed extensively throughout the United States and Latin America in concerts that explore his roots in Brazilian choro, American Jazz, and classical guitar. He has a Ph.D. in music theory from Catholic University of America and a Masters in guitar performance from Manhattan School of Music. He taught music theory and ear training at Columbia University for eight years and has just relocated to Southern California. Lambert Academic Publishing recently published his book The Guitar in the Brazilian Choro.
“Stay true to yourself, and stay true to the game. If you give music your all, and be honest with yourself, you will be rewarded.”
In this episode of MFM Speaks Out, Dawoud Kringle interviews Royal Bayyan. Royal is a Musician, Songwriter, Producer, Music Supervisor, Personal Manager, Executive Brand Consultant. He played with and was a founding member of Kool & the Gang.
The topics of the interview include Royal’s beginnings as an early member of Kool and the Gang, the problems and pitfalls of the music business, the art of record production, Bringing live hip hop concerts to Africa, the evolution of music production, surviving in the music business, an alternative perspective of the COVID-19 pandemic and its effect on the music business, and the spiritual aspects of life as a professional musician and as a Muslim.
Music & Video Review by Dawoud Kringle
Spaghetti Eastern Music, the ongoing project led by guitarist/ composer / improviser / producer / polymath / MFM member Sal Cataldi has done it again. This single, titled Blues for a Lost Cosmonaut, is an exploration of emotions evoked by a look back into the infancy of manned space flight.
Cataldi’s guitars glide and dance in and around the landscape he creates with his synthesizers. The piece has a dreamy rubato feel, combined with the haunted F minor tonality, well-balanced combination of timbres, melodic counterpoints, and motif invention. It is as beautiful as a well-tended garden, and as seductive as a courtesan in an opium den.
The video for Blues for a Lost Cosmonaut compliments the music beautifully. It shifts back and forth between a plethora of images from the late 50s – early 60s Soviet space program, fractal art, and clips from what is obviously an old Soviet era science fiction movie (nothing ages faster than science fiction!).
By Dawoud Kringle
Anne Feeney, folk musician, mainstay in the folk music movement and political and labor activist, has died.
Feeney was born July 1, 1951, in Charleroi, PA, and lived in the Brookline neighborhood of Pittsburgh. After graduating from the University of Pittsburgh School of Law in 1978, she spent 12 years practicing as a trial lawyer, primarily representing refugees and survivors of domestic violence. She was an active member of the American Federation of Musicians and the Industrial Workers of the World (IWW). She served on the executive board of the Pennsylvania chapter of the National Organization of Women (NOW), and as the president of the Pittsburgh Musicians’ Union from 1981 to 1997, the first and only woman to ever hold that position.
She became a regular at major folk festivals , released 12 albums, and collaborated or performed with Pete Seeger, John Prine, and Peter Paul and Mary, Loretta Lynn, John Prine, Toshi Reagon, The Mammals, Dan Bern, the Indigo Girls, and Billy Bragg. Her anthem Have You Been to Jail for Justice is sung on picket lines and in jail cells around the world. She performed more than 4,000 shows across North America and Europe performing for striking workers, in union halls, and large protests. Her performance at the World Trade Organization protests in 1999 was featured in the documentary “This is What Democracy Looks Like.” She also organized dozens of tours supporting various causes, including the Sing Out for Single Payer Healthcare tour in 2009, and raised tens of thousands of dollars for strike funds and progressive causes.
(Photo by Dawoud Kringle)
“Musicians With Attitude…in order to be active collectively you have to change as a person. So in order to become not only a better musician but also a better human being, you must change yourself.”
In this episode of MFM Speaks Out, Dawoud Kringle interviews Sohrab Saadat Ladjevardi (a.k.a. SoSaLa). Ladjevardi is a saxophonist, composer, improviser, producer, entrepreneur, activist, and the founder and president of Musicians For Musicians (MFM). He has lived in and performed in Germany, Switzerland, Japan, and the United States as well as releasing several independently produced albums. The topics discussed focused on MFM, the ideas and philosophies behind it, its founding and history, Ladjevardi’s music and how it interrelates to the message of MFM, and the future of MFM and its place in the music community.