Author Archives: Sohrab Saadat Ladjevardi

Music Listings – 10/20 through 10/26/2014

1. William Hooker w. THE DOUBLE QUARTET

Date: Monday, October 20, 2014
Time: 7pm
Venue: ShapeShifter Lab (18 Whitwell Pl, between Carroll St & 1st St, Brooklyn, NY 11215, 646-820-9452)
Ticket: $15
Genre: jazz

The William Hooker Double Quartet which premiered at The David Rubenstein Atrium  at Lincoln Center will appear – in concert – at Shapeshifter Lab, Brooklyn, NY on October 20th, 2014. Featuring: TAYLOR RYAN, RAS MOSHE, MATT LAVELLE, CRISTIAN AMIGO, SKY STEELE and TOM SZLABINGER.

The group(s) propel themselves with the use of two different types of compositional frameworks, initiated from Mr. Hooker, from the drums. Continue reading

DooBeeDoo endorses: “DEMONSTRATE TO SUPPORT ARTISTS RIGHTS” rally this Sunday

Announcement From c3 (The Content Creators Coalition)

“Google is in the process of systematically destroying our artistic future… if the creative community doesn’t intervene now, and by now, I mean, fucking now — we will be bound to a multigenerational clusterfuck that will take 40 to 50 years to unravel.” – Kurt Sutter Attacks Google: Stop Profiting from Piracy (Guest Column) | Variety

DEMONSTRATE TO SUPPORT ARTISTS RIGHTS
when: THIS SUNDAY, Oct 19th, at 4:30-5:00pm
where: Google 8th ave btwn 15th and 16th sts in Manhattan)

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Musician Issue: new IRS tax rules may benefit independent musicians

You’re a musician…but is it a HOBBY or a “REAL JOB”?

Sohrab playing in the tunnel(This article was written by entertainment attorney and indie artist Christiane Cargill Kinney. You can follow her on Twitter for more helpful indie-artist tips.)

As independent musicians, there are many times when we have to work second jobs to make ends meet, and after you factor in the costs of recording, manufacturing, marketing, touring, and other legitimate business expenses, not to mention sharing any profits you may receive with your co-authors, managers, agents, labels and distributors, the fact remains: independent music does not always turn a profit.

When tax time rolls around every year, many of us receive the same lecture from our accountants: “You need to start showing a profit, or the IRS may consider this a ‘hobby’ and not a ‘real job.’” If you haven’t heard this lecture in the past, you should probably get a new accountant. However, for those of you who have heard it, your reaction may be the same as mine. Read more »

Music Activism: Marc Ribot Talks Respecting Artists’ Rights (Interview by The Talk House)

October 14, 2014, posted from The Trichordist

We’re organizing to fight back. We’re going to give value to the ineffable, uncountable and immeasurable beauty being destroyed. We’re going to give voice to the creators whose work — and lives — are being devalued by tech-corporate greed. We’re going to fight for the sustainability of the culture we all enjoy. We don’t have the lobbying millions of the tech-corporate giants, but we’re going to win. Because the truth is a powerful slingshot.

Editor’s note: If you’re in the New York area, by all means go to “Benefit for Content Creators Coalition (c3): Defend Artists’ Rights: Economic Justice in the Digital Domain!” on Saturday, October 18, 2014 at Roulette. The show features: John Zorn, Eric Slick (Dr. Dog), Steve Coleman, Marc Ribot, Henry Grimes, Marina Rosenfeld, Trevor Dunn, Brandon Seabrook, Satomi Matsuzaki (Deerhoof), Amir ElSaffar and more. You can buy tickets here.

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Music Listings – 10/13 through 10/19/2014

1. Tom Johnson + The Dedalus Ensemble

Date: Monday, October 13, 2014
Time:  8pm
Venue: The Roulette (509 Atlantic Ave, Brooklyn, NY 11217)
Ticket: $15
Genre: contemporary music

Counting to Seven is a new large scale work written by Tom Johnson for the Dedalus Ensemble. Seven voices count to seven in about 30 different languages from all over the world. Each piece explores a way of counting as well as a language sonority giving birth to a new musical form. From Okinawa (dialect from Japan) whispering words to Malinke (Africa) rhythmic patterns with additional small percussions, each continent is represented. Counting to Seven received the support from the French Institute, French Government (DRAC), Région Languedoc-Roussillon and SPEDIDAM.

Created in 1996, DEDALUS Ensemble is a contemporary experimental music ensemble based in Montpellier, France. Their repertoire gives a large place to flexible scores from across the United States and European New Music from the 1960′s to today. DEDALUS is a collective where every musician collaborate to orchestration and interpretation. DEDALUS is a leading ensemble in France and performs extensively in festivals and concert series across France and Europe. A noted champion of contemporary American experimental music, the Ensemble has premiered works by Tom Johnson, Christian Wolff, Alvin Lucier, Phill Niblock, Frederic Rzewski, James Tenney before French audiences. Continue reading