Author Archives: Sohrab Saadat Ladjevardi

Vision Festival 18 Report P.3: Milford Graves Lifetime Achievement Award and performances

Date: June 12, 2013
Venue: the Roulette (NY)

Review and photos by Ancelmo James

267px-Milford_GravesThis past Wednesday evening I entered the Roulette, a very nice, perfectly sized theater on Atlantic Ave just about where it intersects Flatbush Ave with no idea of what to expect from the night of music ahead of me. Prior to going, I had never heard of Milford Graves, although I suppose it is very possible that his music has slipped through my ears without knowing at some point in my lifetime. That said, being a drummer myself, I was excited to experience whatever lay ahead.

Before I give any opinions or reviews of the music let it be said, that, in my understanding, the evening was a celebration of Dr. Graves’ lifetime achievements – not only his music, but his contributions to humanity through his music, as well as, through his teaching and research. As I gather, said contributions and achievements have been ample in Milford Graves life. From there it would be prudent to point out that a recurring theme throughout the night – and Dr. Graves life – was that of his openness of mind, of heart and of ear. This openness is a state of mind and a state of being – and for this I can say with much respect and admiration that Dr. Graves has earned the praise and acknowledgement that he has received.

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Vision Festival 18 Report P.2: The Evening of the Final Day

image003Date: June 16, 2013
Venue: the Roulette (NY)

Review and photos by Dawoud Kringle

As I arrived, Hamiet Bluiett’s Bio-Electric Ensemble was taking the stage. Joining Bluiett was DD. Jackson piano, Hamid Drake, drums, Harrison Bankhead, bass, and special guest Matthew Whittaker, on keyboards. A free, major key gospel-like invocation filled the air. Bluiett came on and played an enormous baritone sax. Low notes and melodies riding their

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VISION FESTIVAL 18 Report P.1: feat. Steve Dalachinsky/Connie Crothers Duo and Bern Nix Quartet

image003Date: June 14, 2013
Venue: the Roulette (NY)

Concert review by John Pietaro

While the Vision Festival stands out as perhaps the preeminent vehicle for experimental, improvisation-based musics in the nation, it has also been controversial in its dogged pursuit of star-status performers that are can draw large audiences. Sad that the scheduling continues to make lesser-known performers feel closed out but one cannot deny that the organizers know how to program concerts that never fail to blow the roof off of the house. This year’s Festival was packed with brilliance but time constraints allowed me to choose but part of one evening and so, as legendary harmolodic guitarist Bern Nix has finally been called to the Vision stage, I couldn’t miss this one. Happily, the noted poet Steve Dalachinsky, a welcome mainstay of Vision from the start, had the opening set of the evening, one he performed with long-time jazz pianist Connie Crothers. This pairing of spoken word/piano and guitar-based combo appeared to be opposing forces initially but the evidence was in quickly, proclaiming that this was another Vision Festival bit of programming genius…

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