Author Archives: Sohrab Saadat Ladjevardi

Music activism: Democracy, Crisis, and the Moral Imperative in the USA and Rwanda (and Why I Play Music on the Street in Rwanda) P.2

Part 1 of this article: Music activism: Democracy, Crisis, and the Moral Imperative in the USA and Rwanda (and Why I Play Music on the Street in Rwanda) P.1

  “…Since my audience and I are so foreign to own another, I will enjoy the ability to be reactive and interactive with new people and unpredictable surroundings…” – Text and photos by Jeremy Danneman (Parade Of One) 

Note by editor: this article was posted  in Parade of One on 

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Todays’s Recommended Event: “Jazz Built This!” NYC Jazz Musicians to Protest Against Top Club Owners Who Deny Jazz Artists Promised Benefits

Musicians to march on the Blue Note jazz club TONIGHT, April 11 at 8:45pm; Justice for Jazz Artists campaign endorsed by jazz musicians Ron Carter, Joe Lovano, Jason Moran, Randy Weston, Paquito D’ Rivera, Phil Woods, Wycliffe Gordon and Regina Carter

 

Justice_4_Jazz_ArtistsNEW YORK, NY–TONIGHT, Thursday, April 11, 2013: Justice for Jazz Artists will hold a demonstration and rally at 8:45 p.m. kicking off its ‘Jazz Built This!’ effort, a protest against jazz club owners who refuse to make modest pension contributions on behalf of the musicians who play in their clubs and make these club owners rich.

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The Gentle Giant At 92: Celebrating 75 Years of Music By Yusef Lateef at the Roulette (NY)

Date: April 6, 2013
Venue: The Roulette (NY)

Review, photos and videos by Dawoud Kringle

On a night promising to be the last of the cold weather, Roulette played host to a great master of music, and of life; Yusef Lateef. The very idea tends to inspire awe; a quarter of a century of making some of the most beautiful and sublime music the ear can hear.

photo (2)Yusef Lateef’s biography and resume read like a Renaissance man’s Renaissance man. Born in Chattanooga TN, he later moved to Detroit where he grew up with musicians like Milt Jackson, Paul Chambers, Elvin Jones, and Kenny Burrell. At the age of 18, he began touring with a number of swing bands led by Hartley Toots, Hot Lips Page, Roy Eldridge, Herbie Fields and Lucky Millender. In 1949, he toured with Dizzy Gillespie’s orchestra. It was around this time he converted to Islam. Over the years he’d also worked with Cannonball Adderly, Donald Byrd, Art Farmer, Curtis Fuller, Grant Green, and others. His association with John Coltrane made deep impressions on both men. He made his first recordings as a leader in 1957. Since then, he has recorded 54 recordings as a leader, toured the world, become a world class virtuoso on several instruments, composed many major works (including several symphonies), wrote several influential textbooks on music, authored two novels, two collections of short stories, and an autobiography. He is an emeritus Five Colleges professor at the University of Massachusetts in Amherst, MA, from which he was awarded a PhD in Education in 1975, and was named University of Massachusetts’ “Artist of the Year” in 2007. In 1985 he became a senior research Fellow at the Center for Nigerian Cultural Studies at Ahmadu Bello University in Zaria, Nigeria, where he did research into the Fulani flute. He has collaborated with other master musicians such as Barry Harris, Kenny Barron, Hugh Lawson, Albert Heath, Roy Brooks, Ernie Farrell, Cecil McBee, Bob Cunningham, Adam Rudolph, Charles Moore, Ralph Jones and Frederico Ramos.

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Music activism: Democracy, Crisis, and the Moral Imperative in the USA and Rwanda (and Why I Play Music on the Street in Rwanda) P.1

Text by Sohrab Saadat Ladjevardi

I think, it was on the Lorimer Station platform last Monday or Tuesday around 1:30pm on my way back home from a rehearsal when I saw a young musician setting up his note stand and warming up on his alto saxophone. Playing a kind of a blues. I liked his tone, so I greeted him and started a short conversation with him. Read more: https://doobeedoobeedoo.info/?p=16402

  …When I play music on the streets for Rwanda this summer, my theme will be reconciliation…” – Text and photos by Jeremy Danneman (Parade Of One) 

Note by editor: this article was posted  in Parade of One on 

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Music listings – 4/8 through 4/14

1.The Dissident Arts Orchestra w. SANA SHABAZZ

Date: Monday, April 8, 2013
Time: 8 pm
Venue: Sycamore (1118 Cortelyou Rd, Brooklyn, near the Q train)
Ticket: $10
Genre: jazz/improv

The Dissident Arts Orchestra is now in the process of establishing gigs beyond improvised film scores and beyond the walls of their original base at 17 Frost. This ensemble engages not with film this time but the art of spoken word!

SANA SHABAZZ (spoken word)
JOHN PIETARO (vibraphone, percussion, musical direction)
CHERYL PYLE (flute)
NICK GIANNI (bass flute, baritone saxophone)
ROCCO JOHN IACOVONE (soprano and alto saxophones)
RAS MOSHE (tenor and soprano saxophones, flute)
STEVE BLOOM (electric guitar)
LAURIE TOWERS (electric bass) Continue reading →