Author Archives: Sohrab Saadat Ladjevardi

An introduction to one of the oldest music styles in Kabuki: Kato-bushi

Edo Joururi: The Iki of Kato-bushi And The Allure of Sukeroku

Text by Miyama Kojuro

It had been my dream to see Sukeroku from directly in front of the hanamichi. Sukeroku is the name of the main character of Sukeroku Yukari no Edo-zakura, the most popular of the Kabuki Juuhachiban plays that form the repertoire of the Ichikawa Danjuro family. The setting is the Yoshiwara district of Edo, and even last year the play was performed to great acclaim at the name-taking ceremony of Ichikawa Ebizo XI. The roots of Kabuki lie in the Kyoto area, but this play takes place around Edo, and its lively depiction of the character and spirit of the Edokko have made it synonymous with Edo Kabuki as a whole. In order to see Sukeroku from directly in front of the hanamichi, one must be on the actual stage itself. Thus it was that I decided to apprentice myself to a master of Kato-bushi, the style of music which accompanies Sukeroku.

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Music listings – 9/20 through 9/26

1. Filmmakers Steven Blush and Paul Rachman’s new documentary LOST ROCKERS reception w. special acoustic performance by Jake Holmes.

Date: Thursday, September 23, 2010
Time: 6pm – 8pm
Venue: The  Bleecker Street Theater (45 Bleecker St, New York, NY‎ 10012, 212-260-8250‎)
Ticket: free
Genre: reception and music

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Mohamed Badawi’s road movies.

Text by Sohrab Saadat Ladjevardi

The road movie Streets of Cairo was made and produced by Mohamed Badawi (Sudan) and Hubl Greiner (Germany) in January 2007, when both of them recorded at the studio of the Cairo Academy of Music  at the University Asyout. The soundtrack is from Mohamed Badawi’s CD D’Omdurman à Timimoun.


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Hubl Greiner – leader of the legendary Dada German band “The Blech”

Text by Sohrab Saadat Ladjevardi

I can’t remember when and how exactly I met Hubl Greiner, a German musician, composer and brain of the experimental-dada-world fusion band The Blech. But what I remember, is that when I met him for the first time  I lived in Tokyo. I was a musician myself and earned my living teaching English and German and writing as a freelance music journalist for Japanese music journals.

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