DBDBD NY – cross-cultural on-line magazine – believes based on the view that music and community are indivisible that a social awareness can be fostered through music.
Because of your generous and continued help since 2014,L’École Fula Flute has secured a home in Conakry that is now humming with daily activity.
Recently, our students were once more invited at the Palais du Peuple to perform for the President. Our reputation is growing and our work is valued in Guinea.
Venue: The Dissection Room, Summerhall, Edinburgh Date: August 28, 2017
Review by Fiona Mactaggart (Photo by James Duffy )
As often happens at uber hip Summerhall, the gig starts somewhat later than billed, no doubt contributing to some first night nerves for Jamie Sutherland. Known locally as singer/ guitarist in indie folk band Broken Records and for his love of 1970s open-tuned guitars, tonight Sutherland presents for the first time mainly solo, with some of his latest self-penned numbers, with occasional unelaborated backing from Ian on keyboard, Robyn on violin and Anna on bass. A brave outing, Sutherland should also be congratulated for his informed choices, in his capacity as Music Programmer for Summerhall.
An elite minority of musicians must function to preserve traditional music. Most musicians will simply follow the herd. What remains are the visionaries.
This is a lonely and hard path. Warriors walk alone.
Mind you, all of them have their purpose. All of them great art that possesses meaning. All of them are worthy of respect. All deserve fair treatment in the fiscal / financial aspects of music.
Once you see it, you can’t “un-see” it: the effects of climate change are top stories in the news regularly. The recent devastating storms and flooding along the Gulf Coast and in Southwest Asia as well as the heatwaves, droughts and fires in the western US are clear indicators that climate change is making this planet less hospitable to us, that the costs of ignoring the problem are unmanageable, and that we need to change our thinking fast.
Concert Review by Fiona Mactaggart (Photo by Dougie Coulter)
Date: August 11, 2017 Venue: Acoustic Music Centre, Ukrainian Club, Edinburgh, Scotland
This year Edinburgh hosts the 70th iteration of the Edinburgh Fringe Festival (EFF), showcasing music and theatre from most regions of the world. Gnoss…this young band, however, hasn’t had far to travel: original members Graham Rorie (fiddle, mandolin) and Aidan Moodie (guitar, vocals) both from the Orkney Islands, nowadays augmented by Connor Sinclair (flute, whistle) and Gregor Kincaid (bodhran). Together they present a highly accomplished, charming and well – paced one hour set, demonstrating a maturity in their play significantly beyond what might be expected from their relative youth.