Category Archives: Musicians

Trombonist Craig Shepard’s thoughts on preparing “Wind Shadows”

Text by Craig Shepard

Photo by Beth O'Brien

Photo by Beth O’Brien

Wind Shadows is for trombone and pure sine tones. Two speakers are set up, one to the left, and one to the right, and one sine tone comes out of each speaker. They are tuned almost exactly the same. The subtle difference creates a beating pattern that sweeps from left to right through the room once every ten seconds, seeming to change volume for a few seconds as it passes the listener. The trombone stands in between the speakers, and places tones very close to the sine tones, creating another beating pattern. Each trombone tone moves very slightly, and the beating sometimes slightly slows, and other times slightly speeds up.

Even though this is a solo performance, the music comes out of a community. For technical assistance, I am very grateful to Ben Manley and Dan Joseph. For guidance in understanding the piece, special thanks to Daniel Wolf at Material Press, and Alvin Lucier himself, partly through the excellent interviews given in the MusikTexte book Reflections.

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MFM’s Second Public Meeting: A Promising Idea Is Put To A Difficult Test

Text by Dawoud Kringle

MFM jpg logoOn Monday, 1/25/16, I attended the second public meeting of Musicians for Musicians (MFM). The regular DBDBD reader will recall my article about the first meeting wherein I mentioned that, as a milestone in the fledgling organization’s humble beginning, it was a successful first step. Now, MFM takes its second step.

MFM founder and president Sohrab Saadat Ladjavardi held court once again for the second meeting. The tradition of a musical interlude, started by Saadat at the first meeting, was led by Zikrayat leader Sami Abu Shumays. He led the participants in a vocal call and response that allowed the participants to experience firsthand the nuances of maqam based melodies.

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Farewell, Thin White Duke…

Text by Dawoud Kringle

 Photo by Adam Bielawski

Photo by Adam Bielawski

On January 10th, 2016, the world was saddened to learn of the death of one of the most iconic figures in the history of rock music; David Bowie.

It’s difficult to imagine a more chameleon-like figure. Unlike most popular musicians whose success depended on sustaining what propelled them to notoriety in the first place, Bowie’s success was defined by constant change.

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CD Review: Church of Betty…overall idealistic “neo-hippie-love-is-the-answer” vibe

Church Of BettyArtist: Church of Betty
Title: Swirled World
Label: Shop Fang Records
Genre: psychedelic rock / progressive world chamber rock

Review by Dawoud Kringle

Brooklyn’s Church of Betty, the brainchild of sitarist / guitarist Chris Rael, was, from its beginning, an interesting anomaly. Being a sitar player myself, I was intrigued by his concept. COB first hit the scene in 1998. An impressive list of musicians who performed and recorded with COB includes tabla master and Rael’s longtime collaborator, Deep Singh. Their live performances brought theatrics and dance to their live sound. Rael’s sitar style, far from orthodox classical raga, nonetheless used raga as a framework he built on a pop / rock / folk / psychedelic foundation.

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