Category Archives: Musicians

Kickstarter Campaign: globalFEST – 10th anniversary of the groundbreaking world music festival + non-profit organization. Now year-round.

Text by globalFEST

globalFEST (gF) began as a creatively curated bright spot for global music lovers in the dark days of early January in NYC. Over its first decade, gF’s groundbreaking annual 3‐stage, 12‐band world music showcase/festival has become one of the most catalytic world music events in North America and the premier gateway event for emerging and established artists from around the world.

globalFEST is also a party, turning winter doldrums into a multi-continent romp at one of downtown New York’s most historic venues, spotlighting artists who represent diverse global styles, ranging from traditional and folk to hybrid acts that incorporate classical, rock, jazz, electronic dance music and hip‐hop. Since 2003, gF has provided more than one hundred groups from around the world access to stages across North America. globalFEST is committed to keeping ticket prices low – with no increase in the past decade – to encourage festival-goers to explore new and unfamiliar sounds and discover new favorites.

The last six months have marked milestones in both organizational and programmatic development for globalFEST. Now an independent 501c3 non-profit organization, gF has grown from an annual showcase/festival into a year‐round resource for cultural curators, global music artists, and the live music industry as a whole.

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Tokyo Report P.4: my sax sound joins my mother-in-law on her trip to heaven?

Text and photo by Sohrab Saadat Ladjevardi

The reason for my trip to come to Tokyo, as you already know, was to attend my wife’s mother funeral who passed away recently. As usual I took one of my horns with me, this time it’s my soprano saxophone, which is smaller and lighter than my tenor saxophone. I had no idea, how my sax would get involved in my life in Tokyo. Of course no concerts were planned by me and playing on Tokyo streets was out of question.

In the morning of the day when I was going to say my farewell to my mother-in-law before the cremation, I went to the Sozen-Ji Temple near by. I took my soprano with me. When approaching the temple the Kannon worship ceremony had already started. I did my prayer which was dedicated to my wife and her mother. After the ceremony I took a walk in the temple site and sat down on a bench on the east side of the temple complex. It was a lovely morning, around 6:30am. I just observed the people around me who were mostly elderly people, some joggers and young Chinese women who seemed to live and work here.

After a while I got the impulse to play my sax…a musical ode to my mother-in-law. A piece of music which would take off the fear from her and would make her “hot” trip to the other world easier and faster. I recorded the music with my iPhone.

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Recommended Kickstarter Campaign: recording of compositions for piano and shakuhachi by the Japanese composer Rando Fukuda played by Marco Lienhard and Charles Tang!

Text by Sohrab Saadat Ladjevardi

I have known Marco Lienhard  for more than thirty years. We met in Osaka, Japan, when we were thirty years younger. At that time I studied Kendo at a sports college and had just started playing sax. Marco, as far as I can remember, was an exchange student. We both were young and starting our adult lives far in the Far East. Both of us had no idea that we would stay in Japan for a very long time and would master a specific Japanese art. Marco is one of the first Europeans to learn and master the shakuhachi and taiko drum in Japan, and I myself become a Kendo master. In 2008 NY brought us together.

Recently Marco joined my band SoSaLa on shakuhachi.

Recommended DooBeeDoo posts

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Dafnis Prieto: one of my favorite NY drummers in NY

Text by Sohrab Saadat Ladjevardi

Since coming to New York I have played with many drummers, but there is one drummer who I haven’t played with yet, but would love to: Dafnis Prieto. Whom I have already introduced to you, my dear reader, last year in this post.

What I love about Prieto is that he transposes elements from his Afro-Cuban musical background, rumba and son, into a jazzy drumming style incorporating congas and timbales in his playing. He’s able to to play very complex, poly rhythmic structures with extraordinary speed and precision. No wonder he’s one of Michel Camilo’s favorite drummers!

He’s putting out a new CD and here is his EPK to it. Very well produced. In the next DooBeeDoo music listings I will announce his CD release event dates at the Jazz Standard in NY.

Musician in NY: why and how I met Michael Wimberly.

Text by Sohrab Saadat Ladjevardi

My first encounter with the djembe was, when I played with Salif Keita and his band for the first at the Blue Note in Tokyo in 2001. Before the show I had no chance to rehearse with him. When Salif called me on stage to join him in one of his songs, I felt so insecure and was so scared. When he started the song I didn’t know what to do about myself. But things instantly changed when I started to play my solo. I could feel instantly that the djembe player was following me. He quickly developed a cool rapport with me. By doing so he gave me confidence in my performance. I could feel that he enjoyed the melodies and noise I created. Eventually we were grooving together, so did the whole band. Salif and the whole band enjoyed my contribution to the song. The audience got excited as well, so when we finished we received a standing ovation. What an experience!!!

Playing three nights with Salif at the Blue Note made me decide to look for a djembe player for my own band. I searched in the internet for djembe players in Tokyo and found out about an African restaurant in the outskirts of Tokyo which had African live music once a week.

Some weeks later there was a Senegalese music and dance show directed by the Senegalese sabar player Wagane N’Diaye Rose. Before going I thought that the sabar drum is kind of a djembe drum, but when I saw him playing I found out that I was wrong. It’s a different drum but played with the same spirit. Wagane invited me to sit in and wowwwwwwwwww it was great playing with him. I fell in love with him in the same way I did with Salif’s djembe player. A couple of months later he joined my band The Tehran-Dakar Brothers. After moving to New York I had following Senegalese musicians in my band: Mar Gueye (sabar), Masamba Diop (tama or talking drum), Cheikh Tarou B’Baye (sabar), Jean-Marie Collatin-Faye (djembe) and now Michael Wimberly (djembe and drums) who is American.

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