Category Archives: Concert And Event Reviews

Festival review: the 9th Annual Encuentro NYC Colombian Music Festival 2012

Date: November 10, 2012
Venue: Le Poisson Rouge
By Dawoud Kringle

On Saturday, November 10, 2012, Le Poisson Rouge  played host to the 9th Annual Encuentro NYC Colombian Music Festival. The festival, produced by Pablo and Anna Mayor, was brilliantly conceived, and efficiently executed. The musical acts covered an astonishing spectrum of different styles and combinations of genres. It was announced that a percentage of CD sales donated to hurricane relief effort in New York.

In American music history studies, much has been said about the influence Latin music had on jazz. It works both ways. One of the very noticeable things was how the music the groups offered shows clearly how deeply American jazz influenced and changed the music of Latin America.

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One of Sohrab’s favorite indie rock bands: The Secret Chief’s 3 @ The Stone, October 11, 2012

Text by Sohrab Saadat Ladjevardi

During my last week in Tokyo one of my favorite US bands played at the Stone in New York: the Secret Chiefs 3 (SC3) led by guitarist and composer Trey Spruance (formerly of Mr. Bungle and Faith No More). A band which fuses Persian music, surf rock, heavy metal, film music and electronics. Luckily I found videos of this show in YouTube. SC3 has always been a general name for several different bands. “Each representing a different aspect of a musical and philosophical intersection.” That night SC3 played under the name of Ishraqiyun,  a six piece band with following members: Trey Spruance (guitar, saz), Ches Smith (drums), Timba Harris (violin, viola), Toby Driver (bass), Shahzad Ismaily (bass) and April Centrone (percussion). They mainly used Middle Eastern (Persian) melodies and rhythms adding sounds of western metal, surf rock, and noise.

Last year in November I had the chance to see this band for the first time at Le Poisson Rouge. Me as an Iranian this concert was a revelation: Trey proved that Iranian or Persian music can “rock” and can “move” US rock fans. After the show Trey I interviewed him backstage (watch the video here).

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Concert review: NoReduce (Switzerland) – as exciting and enjoyable in person as on the stereo!!

Date: September 18, 2012
Venue: Douglass Street Music Collective (Brooklyn, NY)

Concert review by Matt Cole

Recently, I reviewed Jaywalkin’, the new CD by NoReduce. As I had a very positive reaction to the CD, I was excited to have a chance to see, hear, and review the opening show of their U.S. Mini-tour this past September, at Brooklyn’s Douglass Street Music Collective.

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Concert review: Ravish Momin – Trio Tarana @ the Paper Box (Brooklyn)

Date: September 27, 2012
Venue: Paper Box (Brooklyn)

Concert review and photo by Dawoud Kringle

On an unseasonably warm night in late September, I trekked to one of those desolate areas of Brooklyn where small autonomous zones of artists and musicians are carving out a piece of the world they can call their own. It was at a new music venue in a warehouse district that I attended a performance of TrioTarana, led by Ravish Momin. He was joined by Rick Parker on trombone, and Areni Agbabian on vocals.

Photo by courtesy of Ravish Momin

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Concert reviews: 2 surprise Brazilian Girls shows in NYC !!!

Dates & Venues: September 10, 2012 @ Nublu and September 12, 2012 @ Bell House

Concert reviews by Matt Cole

After announcing their breakup in 2011, the multi-lingual, multi-genre band Brazilian Girls has reunited and is working on new material and playing some shows, to the delight of their rather devoted fan base. In early September, they played a pair of weeknight surprise shows in New York City: on Monday the 10th, they tore it up at Alphabet City’s Nublu (where they first came together 9 years ago), and on Wednesday the 12th, they rocked the house at Bell House in Gowanus, Brooklyn.

For a band that is often described as “(insert at least 2 adjectives) pop,” Brazilian Girls’ music is quite sophisticated and complex. They are among the best at integrating loops, computers, and live performance; rather than playing along with the loops, they bring them in an out like an extra instrument. This was apparent at both shows, as many of the (non-new) songs were stretched out from their album versions, with keyboardist Didi Gutman doing a masterful job of weaving loops in and out of the rest of the mix, and drummer Aaron Johnston laying down essential beats with, not over or under, the loops. Bassist Jesse Murphy manages the neat trick of playing bass lines that are both solidly propulsive and interestingly fluid at the same time. Singer Sabina Sciubba‘s wonderful jazzy voice, fluent in five languages, completes the sonic picture; and her quirky outfits and intelligent, tongue-in-cheek demeanor add to, rather than distract from, the band’s vibe. Though from disparate backgrounds, musical and otherwise, these four make up a unified whole which is greater than its already talented parts. As the enthusiastic crowds demonstrated at both shows, it’s very difficult not to dance (or to not dance?) when Brazilian Girls is playing.

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