Category Archives: Reviews

Concert Review: Zikrayat, An Immersion In The Traditions of Arabic Music

Date: January 10, 2016
Venue: Drom (NY)

Review by Dawoud Kringle

Zikrayat, the Arab music and dance ensemble offered their first performance of 2016 at Drom, NYC. Led by violinist / composer / teacher Sami Abu Shumays, Zikrayat (the Arabic word for “memories”) presents the classical music and the dance traditions of Egypt, Lebanon, Syria, and the greater Arab World. They also perform rare music from the “golden age” of Egyptian musical cinema (1940’s-60’s), traditional and standard pieces, and original compositions in these styles.

The sound at Drom on this night was quiet, by “club” standards. Zikrayat had no need to overwhelm the listener. They knew, not thought but knew, the music was beautiful on its own terms. There was no need or urge to prove anything. The set began with a varied exploration of the traditions to which Zikrayat is devoted.

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CD Review: Church of Betty…overall idealistic “neo-hippie-love-is-the-answer” vibe

Church Of BettyArtist: Church of Betty
Title: Swirled World
Label: Shop Fang Records
Genre: psychedelic rock / progressive world chamber rock

Review by Dawoud Kringle

Brooklyn’s Church of Betty, the brainchild of sitarist / guitarist Chris Rael, was, from its beginning, an interesting anomaly. Being a sitar player myself, I was intrigued by his concept. COB first hit the scene in 1998. An impressive list of musicians who performed and recorded with COB includes tabla master and Rael’s longtime collaborator, Deep Singh. Their live performances brought theatrics and dance to their live sound. Rael’s sitar style, far from orthodox classical raga, nonetheless used raga as a framework he built on a pop / rock / folk / psychedelic foundation.

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CD Review: the Liberation Music Collective…propel the momentum of jazz toward a sense of spiritual awareness and social responsibility that the world needs

The Liberation Music CollectiveArtist: The Liberation Music Collective
Title: Siglo XXI
Label: Ad Astrum Records
Genre: jazz

CD Review by Dawoud Kringle

The idea of jazz as a catalyst for social change is not new. Throughout its history, jazz musicians have sought to use the art form to articulate societal ills, and present solutions (which almost always focus on spiritual realms, although a few use it as a platform for a political agenda, such as socialism). The most fascinating aspect of this is that, unlike other music genres, folk, rap, etc., many such “jazz activists” have sought to do this through instrumental music. This is unique to jazz. However, those who do this have become rare in recent years.

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CD Review: Swiss trio Kaos Protokoll play chaotic jazz? No…a fun but serious band to listen!

Kaos PrtokollArtist: Kaos Protokoll
Title: Questclamationmarks
Label: Prolong Rec
Genre: nu jazz

CD Review by Dawoud Kringle

Kaos Protokoll is a Switzerland based electronica Jazz ensemble whose work has raised a few eyebrows in the past. Comprised of Benedikt Wieland (e-bass, effects), Flo Reichle (drums/electronics), Marc Stucki (saxophone, melodica, and effects) Kaos Protokoll’s new CD, Questclamationmarks is a departure from their first release Quick & Dirty. Whereas Quick & Dirty was straight forward in its punk ethic, Questclamationmarks takes the listener into their more refined and multifaceted potential.

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Concert Review: TOPOS KOLEKTIV – An evening of improvised music

Date: November 20, 2015
Venue: The Firehouse Space (NY)

Review by Constance Cooper

TOPOS KOLEKTIV

Topos KolektivMarek Matvija – shakuhachi
Hana Hrachovinová – harp
Tomáš Kerle – percussions
Tereza Kerle – performance
Anna Friedländer – voice
Martin Klusák – keyboard instruments
Guest musician: Steven Louis Cohn, piano and shakuhachi

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