Category Archives: Reviews

CD reviews: New CDs from “Evil Giraffes on Mars” and “the Hammer Klavier Trio”

Reviewed by Matt Cole

Two recent CDs, Cydonia from New York-based Evil Giraffes On Mars, and Rocket In The Pocket from German trio Hammer Klavier Trio, showcase two somewhat different approaches to making and flavoring modern jazz, while being just close enough to make for an interesting hypothetical double bill.

Artist: Evil Giraffes on Mars
Title: Cydonia
Label: Evil Giraffes on Mars (884501145428)
Genre: jazz

Cydonia, while rooted in jazz, draws sounds and influences from many other musical genres. At times, the sound is almost that of prog (“Where’s Dave,” “Black Tongue”) with odd and angular meters, metal guitar tones, and on the latter an overall sound that reminded me a little of Dream Theatre. Other songs took the feel of modern jazz (“Murky Water”), almost-Southern rock with a twin saxophone lead (“Morning on the Red Planet”), funk (“Merge”), and even a tango (the aptly named “Shango Tango”), while almost always retaining the band’s core sound. The band flows together tightly (but not so much so that it sounds rigid), has a wide and well-used dynamic range, can go from exuberant to ominous in the space of a song, and has a high energy throughout the album. The only thing I might have changed would have been to add a slower number; the frenetic pace does not slow down until the album’s eighth track (“Michael’s Ladder”); however, that is only a matter of taste. In general, the excellent playing by John Cave (guitar), Matt La Von (alto and soprano sax), Doron Lev (drums, percussion, hand claps, and giraffe noises), Jamaal Sawyer (tenor sax), and Ryan Slotnick (keyboards, and most of the songwriting) make for an enjoyable listen. This is a band which could do well both at progressive jazz clubs and prog rock festivals.

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Concert review: Ikhlaq Hussain live at The New York Insight Meditation Center

Date: November 16, 2012
Venue: The New York Insight Meditation Center

Review by Dawoud Kringle

The New York Insight Meditation Center recently hosted a concert by sitar virtuoso Ikhlaq Hussain.  Hussain is a musician of the Dehli gaharana (whose lineage dates back to Hazrat Amir Khousro), who plays in Gaykali Ang, a style wherein the instrument takes on the expressive qualities of vocal music. He was taught by his father Ustad Imdad Khan, and by Pandit Ravi Shankar. He performed in US, Europe, Middle East, UK, Pakistan, & India.

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Festival review: the 9th Annual Encuentro NYC Colombian Music Festival 2012

Date: November 10, 2012
Venue: Le Poisson Rouge
By Dawoud Kringle

On Saturday, November 10, 2012, Le Poisson Rouge  played host to the 9th Annual Encuentro NYC Colombian Music Festival. The festival, produced by Pablo and Anna Mayor, was brilliantly conceived, and efficiently executed. The musical acts covered an astonishing spectrum of different styles and combinations of genres. It was announced that a percentage of CD sales donated to hurricane relief effort in New York.

In American music history studies, much has been said about the influence Latin music had on jazz. It works both ways. One of the very noticeable things was how the music the groups offered shows clearly how deeply American jazz influenced and changed the music of Latin America.

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One of Sohrab’s favorite indie rock bands: The Secret Chief’s 3 @ The Stone, October 11, 2012

Text by Sohrab Saadat Ladjevardi

During my last week in Tokyo one of my favorite US bands played at the Stone in New York: the Secret Chiefs 3 (SC3) led by guitarist and composer Trey Spruance (formerly of Mr. Bungle and Faith No More). A band which fuses Persian music, surf rock, heavy metal, film music and electronics. Luckily I found videos of this show in YouTube. SC3 has always been a general name for several different bands. “Each representing a different aspect of a musical and philosophical intersection.” That night SC3 played under the name of Ishraqiyun,  a six piece band with following members: Trey Spruance (guitar, saz), Ches Smith (drums), Timba Harris (violin, viola), Toby Driver (bass), Shahzad Ismaily (bass) and April Centrone (percussion). They mainly used Middle Eastern (Persian) melodies and rhythms adding sounds of western metal, surf rock, and noise.

Last year in November I had the chance to see this band for the first time at Le Poisson Rouge. Me as an Iranian this concert was a revelation: Trey proved that Iranian or Persian music can “rock” and can “move” US rock fans. After the show Trey I interviewed him backstage (watch the video here).

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Concert review: NoReduce (Switzerland) – as exciting and enjoyable in person as on the stereo!!

Date: September 18, 2012
Venue: Douglass Street Music Collective (Brooklyn, NY)

Concert review by Matt Cole

Recently, I reviewed Jaywalkin’, the new CD by NoReduce. As I had a very positive reaction to the CD, I was excited to have a chance to see, hear, and review the opening show of their U.S. Mini-tour this past September, at Brooklyn’s Douglass Street Music Collective.

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