Recommended 7inch Single: The Paradise Bangkok International Molam Band (Thailand) performing “Nu Molam Music”

Text by Sohrab Saadat Ladjevardi

Another great album release from Zudrangma Records (Thailand): The Paradise Bangkok International Molam Band from Bangkok. They have just returned from a successful Europe tour. Recommended by our friends from Hong Kong Metal Postcard.

Speaking of Molam: Molam is a multi-faceted folk music native to Laos and the predominantly rural Northeastern region of Thailand known as Isan – home to myriad ethnic groups and provinces, and once a part of present-day Laos. Mo meaning “master” and lam meaning “song”, Molam literally translates into “master singer”, but it remains more of an umbrella term covering over a dozen types of lam styles in which male and female singers can be backed by a free-reed bamboo mouth organ called  khaen, indigenous lute-like instruments called phin or the soong, a bowed fiddle called sor and a percussion ensemble featuring finger cymbals and hand drums.

Between the 1970s and 1980s Molam began to be electrified and integrated with Western instruments. When electric bass, effected guitars, electric organs, kit drums and horns played alongside the khaen and the phin. Maybe this is the end of original Molam music  due to the historical development of the music industry and the introduction of modern technolgy,

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CD Review: Underground Horns – a groove that seems to flow throughout its entirety contributing to the musical coffee vibe and making it the kind of music you can joyfully clean your house to

Underground Horns ALMOST BLUE CD coverArtist: Underground Horns
Title: Almost Blue
Label: selfproduced
Genre: brass band playing Afro-Funk/Bhangra/New Orleans grooves and beyond.

CD review by Dante Mann

There is something different about Brooklyn based brass band the Underground Horns and their new album, Almost Blue. It has a pleasing freshness, and part of that is down to the way they have blended New Orleans Jazz, Ethio Jazz, Afro Funk, and obscure hints of Balkan music. Their smooth blend of these genres brought together in a subtle, textured way, makes for a good listen all of the way through. The album features Welf Dorr (alto sax, bass clarinet), Patriq Moody (coronet), Kevin Moehringer (trombone), Andrew McGovern (trumpet), Channel Crichlow (tuba), Kevin Raczka (drums), and Okai Fleurimont (djembe, vocals, whistle).

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Concert Review: Mathias Kunzli CD Release Show…dreamy soundscapes and heavy hitting beats

Date: October 26, 2011
Venue: Joe’s Pub (NY)
Concert review by Dante Mann

Photo by Dante Mann

Since Photo by Dante Mann

Since 1998 Swiss drummer and percussionist Mathias Kunzli has been all over the place in the New York music scene.  He has been performing with artists and bands of many genres, such as Moby, Lauryn Hill, Yo-Yo Ma Silk Road Project, Vieux Farka Toure, Marc Ribot, John Zorn’s Electric Masada, The Paul Winter Consort, Keyhan Kalhor, Azam Ali, and many others.

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