By Dawoud Kringle
Anne Feeney, folk musician, mainstay in the folk music movement and political and labor activist, has died.
Feeney was born July 1, 1951, in Charleroi, PA, and lived in the Brookline neighborhood of Pittsburgh. After graduating from the University of Pittsburgh School of Law in 1978, she spent 12 years practicing as a trial lawyer, primarily representing refugees and survivors of domestic violence. She was an active member of the American Federation of Musicians and the Industrial Workers of the World (IWW). She served on the executive board of the Pennsylvania chapter of the National Organization of Women (NOW), and as the president of the Pittsburgh Musicians’ Union from 1981 to 1997, the first and only woman to ever hold that position.
She became a regular at major folk festivals , released 12 albums, and collaborated or performed with Pete Seeger, John Prine, and Peter Paul and Mary, Loretta Lynn, John Prine, Toshi Reagon, The Mammals, Dan Bern, the Indigo Girls, and Billy Bragg. Her anthem Have You Been to Jail for Justice is sung on picket lines and in jail cells around the world. She performed more than 4,000 shows across North America and Europe performing for striking workers, in union halls, and large protests. Her performance at the World Trade Organization protests in 1999 was featured in the documentary “This is What Democracy Looks Like.” She also organized dozens of tours supporting various causes, including the Sing Out for Single Payer Healthcare tour in 2009, and raised tens of thousands of dollars for strike funds and progressive causes.
(Photo by Dawoud Kringle)
“Musicians With Attitude…in order to be active collectively you have to change as a person. So in order to become not only a better musician but also a better human being, you must change yourself.”
In this episode of MFM Speaks Out, Dawoud Kringle interviews Sohrab Saadat Ladjevardi (a.k.a. SoSaLa). Ladjevardi is a saxophonist, composer, improviser, producer, entrepreneur, activist, and the founder and president of Musicians For Musicians (MFM). He has lived in and performed in Germany, Switzerland, Japan, and the United States as well as releasing several independently produced albums. The topics discussed focused on MFM, the ideas and philosophies behind it, its founding and history, Ladjevardi’s music and how it interrelates to the message of MFM, and the future of MFM and its place in the music community.
“In her brief ten year span as a recording artist (ending with her death at the age of 32 in 1990), Emily Remler not only proved that a female jazz guitarist could be the technical equal of any male counterpart, but also that she possessed the intensity and conviction of a true leading musical voice. Her early departure from the scene is tragic, and her legacy as both an artist and a person should be forever maintained in our collective memory.” – Roger Blanc (MFM Board member, guitarist and composer)
Text by Dawoud Kringle
Most of you who read this are musicians. You can probably name a good number of female musicians. Maybe you are a female musician.
Date: Friday, January 29, 2021
Time: 7pm to 7:40pm
Please RVSP to Michael Walsh: email@example.com
We are the ones who hold the means to reverse this destructive and dehumanizing trend – and all humanity will suffer if we fail.
By Dawoud Kringle
The economics of the digital age have had an unfortunate effect upon the music business. Digital piracy and the futility of competing with free downloads, and the payments offered by streaming services such as Spotify or Apple Music have contributed to a constant economic devaluation of music. Progress is being made toward new models for rights and royalties in the new music economy that favor the professional musician as equally as the non-musician in the music business.