Text By Dawoud Kringle
Wednesday, October 26th, 2016, Musicians for Musicians conducted (what was for them) an experiment: a semi-informal mixer. Members and non-members were all welcome. It was held at WeWork Wall Street in Lower Manhattan.
Text By Dawoud Kringle
Wednesday, October 26th, 2016, Musicians for Musicians conducted (what was for them) an experiment: a semi-informal mixer. Members and non-members were all welcome. It was held at WeWork Wall Street in Lower Manhattan.
Text by Dawoud Kringle
This continued series explores the relation between jazz and Islam. In this installment, I am continuing the presentation of the biographies of Muslim jazz artists.
In preparation for what promises to be a truly monumental 2017, Mac Gollehon has booked a series of exciting club shows.
“Mac Gollehon & The Hispanic Mechanics [is] a fusion of EDM and Salsa, making for a unique and dramatic genre of musical energy unlike any that I have heard thus far.” – Eileen Shapiro, Huffington Post
Legendary trumpet player Mac Gollehon, or “Chops”, as Miles Davis once called him, will be performing in a series of shows across New York City in support of his acclaimed 2016 album, Mac Gollehon & The Hispanic Mechanics. The album was recorded at Bill Laswell’s Orange Music Sound Studios and has been billed as “a great mix of Latin-inspired house music, with highlighted acoustic instruments like percussion, guitars and, of course, the powerful trumpet of Gollehon.”
Date: October 15, 2016
Venue: NYU Skirball Center for the Performing Arts (NY)
Produced in association
with HarmoNYom and LiveSounds
Concert Review by Dawoud Kringle
Text by Dawoud Kringle
The following are selected biographies of American Muslim musicians continued from here.
Pianist Sadik Hakim (a.k.a. Argonne Thorton 1919-83) got his start with Ben Webster, and eventually went to New York with him. He stayed with Webster, and also played with Charlie Parker and Dizzy Gillespie. He toured with Lester Young from 1946-48, and recorded “Jumpin’ with Symphony Sid” in 1947. Around this time, he accepted Islam. From 1951-54 he toured with James Moody and from 1956-60 played with Bud Tate’s orchestra. In 1966 he moved to Montreal, Canada. After a time, he returned to New York, and toured Japan 1979-80.