Tag Archives: Dawoud Kringle

CD Review: Mehmet Polat Trio 2nd Album “Ask Your Heart”

 Mehmet Polat Trio CD coverArtist: Mehmet Polat Trio
Title: Ask Your Heart
Label: Homerecords
Genre: world/maqam/kora music

CD Review by Dawoud Kringle

On this album you will hear the best selection of my previously unreleased compositions and artistic ideas! I’ve been looking forward to recording these for a long time. My colleagues and I played on this album with full passion and sensibility. – Mehmet Polat

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Press rally: David Byrne speaking

New York Press Rally: Save the Arts!

Text, photos and videos by Dawoud Kringle

On Monday April 3rd, musicians, artists, actors, poets, and dancers assembled on the steps of City Hall to protest the attempt on the part of the Trump administration to destroy art and culture in the United States. This press rally “Save The Arts” was organized by Councilman Jimmy Van Bramer.

Press Rally with MFM's hashtag sign

Representatives of the Local 802 Musicians Union, The Actors Equity Association, Musicians for Musicians, Asian American Arts Alliance, and other music and arts organizations gathered at the steps of City Hall. David Byrne (Talking Heads), L. Steven Taylor (The Lion King), Ciara Renée (actress, singer, and musician) , The CEOs of the New York Public Library systems, Neil Shapiro of WNET, president of the Local 802 Tino Gagliardi, Brooklyn Council member Mark Trager, Bronx council member Andy King, Council Member Helen Rosenthal (Upper West Side), New York City Council Speaker Melissa Mark Viverito and others spoke and shared their views on the dynamics and nuances of this important issue.

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David Liebman and Sohrab At MFM Talk Series #1

MFM Talk Series “Make Music Your Business” No.1 w. David Liebman

“…After all, it is our livelihood and art that are being downgraded as we speak. I support the efforts of MFM towards organizing musicians to develop a new paradigm.” – David Liebman

Date: March 23, 2017
Venue: WeWork Bryant Park (NY)
Text by Dawoud Kringle

On Thursday, March 23rd, Musicians for Musicians (MFM) presented the first Talk. The guest of honor was David Liebman, who’s a member of MFM’s Advisory Committee. The event was hosted and moderated by MFM President Sohrab Saadat Ladjavardi. This was the first of such “Round Table Talks,” and promised to deliver an immensely interesting and informative dialogue.

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John Lydon Book Cover

Book Review: JOHN LYDON “ANGER IS AN ENERGY: MY LIFE UNCENSORED” (P.2)

A book review by Dawoud Kringle

Virgin Records asked Lydon to go to Jamaica and assist with the reggae bands they were working with. This, like the American tour, proved an eye opening experience for Lydon. It exposed him to cultures that he’d never experienced or imagined, and expanded his perception of music, and humanity. From this, and his closing the chapter of the Sex Pistols in his life, Public Image Limited was born.

Public Image Limited (PiL) was an important step for Lydon. It afforded him the opportunity for an expanded rage of artistic and conceptions / lyrical expression. It also paved the way for Lydon’s adamant and inflexible refusal to be pigeonholed, labeled, and classified as an artist and a man. His songwriting expanded into the use of a variety of interesting concepts (a few examples: on “Poptones,” Lydon placed himself in the mind of a then highly publicized rape victim. On “Careering” he attacked both sides of the conflicts in North Ireland for allowing violence to escalate out of control over religious differences). Musically, Lydon and company were daring to experiment artistically and push the envelope well beyond the limits of the punk genre he was credited with founding.

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John Lydon Book Cover

Book Review: JOHN LYDON “ANGER IS AN ENERGY: MY LIFE UNCENSORED” (P.1)

A book review by Dawoud Kringle

If ever there was a man who looked the whole world in the eye and said FUCK YOU!!!, it’s John Lydon. From the first few pages of the introduction, it was obvious that Lydon’s story, told in his own words, was going to be an intensely interesting read.

Lydon’s humble beginnings in North London (which he described as a “dustbin,” and “piss poor”) hard wired an attitude of rebellion into his psyche. He pointed out that he came from a rare point in British history where unquestioned subservience to national authority was not a given. This is not to say that the British had no civil disorder, but after WW2 much of this was swept under the carpet. People of Lydon’s intelligence, conviction, and imagination inevitably dragged this out of its hiding places.

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