Tag Archives: Dawoud Kringle

Book cover: Rebelmusic

Jazz and Islam: A Retrospective Series (P.3/B)

The Musicians

Text by Dawoud Kringle

The following are selected biographies of American Muslim musicians continued from here.

Pianist Sadik Hakim (a.k.a. Argonne Thorton 1919-83) got his start with Ben Webster, and eventually went to New York with him. He stayed with Webster, and also played with Charlie Parker and Dizzy Gillespie. He toured with Lester Young from 1946-48, and recorded “Jumpin’ with Symphony Sid” in 1947. Around this time, he accepted Islam. From 1951-54 he toured with James Moody and from 1956-60 played with Bud Tate’s orchestra. In 1966 he moved to Montreal, Canada. After a time, he returned to New York, and toured Japan 1979-80.

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Rick Dellaratta

MFM Workshop “Make Music Your Business” #6 w. Rick DellaRatta

Jazz for Peace provides Empowerment Grants, sustainable funding and advocacy for non-profits and all outstanding causes worldwide for over a decade to enable them to be more productive and successful.

MFM Workshop #6 sceneDate: September 27, 2016
Venue: WeWork Wall Street (NY)

Review by Dawoud Kringle

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Swiss sax player Christoph Irniger

CD Review: Christoph Irniger Pilgrim’s “Big Wheel”

Christoph Irniger PilgrimArtist: Christoph Irniger Pilgrim
Titel: Big Wheel Live
Label:  Intakt Records
Genre: nu jazz

CD Review by Dawoud Kringle 

A saxophone figure leaps forward with a texture resembling something like the marriage between a bongo and a plucked string instrument. It eases into its more traditional nature as a saxophone as the head of the song emerges. With the drums, bass, and piano flowing in and around each other like sonic arabesques, the saxophone played with Coltrane inspired melodies fitted into a very different aspect of jazz. The piano made its statement, while changing the direction the music went. The bass brought its say to the floor, and the guitar stepped forward and precipitated itself like raindrops in a gentle breeze before morphing into a series of distorted and processed textures that one rarely associates with jazz.

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Book cover: Rebelmusic

Jazz and Islam – A Retrospective Series (P.2)

Continued History

Text by Dawoud Kringle

In this part of the Jazz and Islam Series, I will provide a perspective on the growth of Islam among American jazz musicians.

The Mosque of Islamic BrotherhoodMany of the earlier converts to Islam worked at raising money to bring Muslim / Sufi teachers to the USA. Talib Daoud and his wife, singer Dakota Staton (a.k.a. Aliyah Rabia) taught Islam in Philadelphia, PA. She also opened a store in New York City that sold African art and wares, and Islamic books and supplies. An Egyptian man named Sheikh Mahmoud Hassan Rabwan taught Islam and Arabic there. In the New York area a few Muslim owned venues, mostly restaurants, opened that featured musical performances. These included “The East” and “The House of Peace.” Mosques such as the Mosque of Islamic Brotherhood used to hold benefit concerts, which featured performers such as Alice Coltrane, and others. Later, a performance venue opened by saxophonist, composer, bandleader, teacher, and mentor Muhammad Salahuddin (1930-2004) called “The University of the Streets” featured performances, workshops, and music instruction.

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Book cover: Rebelmusic

Jazz and Islam – A Retrospective Series (P.1)

Early History

Text by Dawoud Kringle

There exists little historical documentation of the music and musicians of Islamic culture indigenous to the United States of America. For this reason, I decided to write this series. While this is in no way comprehensive, it should serve as a brief introduction to the much neglected subject of Muslim’s contributions to jazz.

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