Tag Archives: Dawoud Kringle

Concert Review: Zikrayat, An Immersion In The Traditions of Arabic Music

Date: January 10, 2016
Venue: Drom (NY)

Review by Dawoud Kringle

Zikrayat, the Arab music and dance ensemble offered their first performance of 2016 at Drom, NYC. Led by violinist / composer / teacher Sami Abu Shumays, Zikrayat (the Arabic word for “memories”) presents the classical music and the dance traditions of Egypt, Lebanon, Syria, and the greater Arab World. They also perform rare music from the “golden age” of Egyptian musical cinema (1940’s-60’s), traditional and standard pieces, and original compositions in these styles.

The sound at Drom on this night was quiet, by “club” standards. Zikrayat had no need to overwhelm the listener. They knew, not thought but knew, the music was beautiful on its own terms. There was no need or urge to prove anything. The set began with a varied exploration of the traditions to which Zikrayat is devoted.

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CD Review: Church of Betty…overall idealistic “neo-hippie-love-is-the-answer” vibe

Church Of BettyArtist: Church of Betty
Title: Swirled World
Label: Shop Fang Records
Genre: psychedelic rock / progressive world chamber rock

Review by Dawoud Kringle

Brooklyn’s Church of Betty, the brainchild of sitarist / guitarist Chris Rael, was, from its beginning, an interesting anomaly. Being a sitar player myself, I was intrigued by his concept. COB first hit the scene in 1998. An impressive list of musicians who performed and recorded with COB includes tabla master and Rael’s longtime collaborator, Deep Singh. Their live performances brought theatrics and dance to their live sound. Rael’s sitar style, far from orthodox classical raga, nonetheless used raga as a framework he built on a pop / rock / folk / psychedelic foundation.

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Book Review: John Kruth’s contribution to the world of Beatles literature

John Kruth bookAuthor: John Kruth
Title: This Bird Has Flown: The Enduring Beauty of Rubber Soul, Fifty Years On
Publisher: Backbeat Books

Book Review by Dawoud Kringle

The Beatles have earned the title of musical legend. Like them or not, there is no denying that their influence and accomplishments have been nothing less than monumental. As such, volumes have been written about them. So, if one dares assume the mantle of “Beatles Biographer”, one had better be ready to make a real contribution to an already formidable (and densely populated) lexicon.

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Event Review: Musicians for Musicians’ First Open Meeting – MFM Introduces Itself To The Public

MFM jpg logoDate: December 8th, 2015
Location: CA Music Room (Manhattan)

Review by Dawoud Kringle

On Tuesday, December 8th, Musicians for Musicians, the brainchild of musician / activist Sohrab Saadat Ladjavardi, held its first open meeting at the CA Music Room in NYC.

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Concert Review: Kamran Hooshmand and SoSaLa – An Evening of Ancient & Contemporary Music From The Middle East & Beyond

Date: October 18, 2015
Venue: CA Music Room (NY)

Review by Dawoud Kringle

The double bill at the CA Music Room of Kamran Hooshmand and SoSaLa promised to be a fascinating musical experience. This was the first time I attended an event at the CA Music Room. The venue (actually the home of photographer Clara Aich) was decorated in marvelous taste, and had fascinating art work throughout. The atmosphere was perfectly suited for enjoying music in an intimate setting.

SoSaLa @ CA MUSIC ROOM

Photo by Yasi Omrani

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