Tag Archives: John Kruth

Book Review: John Kruth’s contribution to the world of Beatles literature

John Kruth bookAuthor: John Kruth
Title: This Bird Has Flown: The Enduring Beauty of Rubber Soul, Fifty Years On
Publisher: Backbeat Books

Book Review by Dawoud Kringle

The Beatles have earned the title of musical legend. Like them or not, there is no denying that their influence and accomplishments have been nothing less than monumental. As such, volumes have been written about them. So, if one dares assume the mantle of “Beatles Biographer”, one had better be ready to make a real contribution to an already formidable (and densely populated) lexicon.

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TriBeCaStan new live footage!

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TriBeCaStan are: John Kruth – mandolin, mandocello, banjo, flute, harmonica, Irish whistle
Jeff Greene – marimba, yayli tambor, mandolin, hurdy gurdy, flutes
Todd Isler – drums
Dave Dreiwitz – bass
John Turner – trumpet
Kenny Margolis – accordion
Ibrahim Gonzalez – conga, percussion
with guests:
Matt Darriau – clarinet, alto sax, bagpipe, kaval
Steve Turre – trombone, conch shells

Performing live in Soho Jan 7, 2011

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Soprano Saxophonist Steve Lacy Recalls the “Multifarious” Brion Gysin

An Interview by John Kruth

 

Brion Gysin was a Renaissance man in a century with a 15-second attention span. In a world where people are known for “doing one thing well,” Brion mastered a variety of disciplines which he employed to express himself at any given moment. Gysin was a painter, author, editor, musical anthropologist, inventor, philosopher, mystic and restaurateur. And to add insult to injury, he wore each of those hats with ease and remarkable panache. Surrealist ringleader André Breton, Beat novelist William S. Burroughs and Rolling Stone Brian Jones all recognized his brilliance, yet Brion’s work for some reason went virtually unnoticed by the public.

As an artist, Gysin painted otherworldly figures that danced around the canvas like cryptic Arabic and Japanese calligraphy. He was embraced and then quickly expelled (for vague reasons) by the Surrealists. In truth, Brion simply wasn’t the type to espouse the party platform, no matter how bizarre the doctrine. (Although he’s been associated with the Beats through his connection to Burroughs, Gysin would never claim to be one of that clubby bunch either.)

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