Author Archives: Adam Reifsteck

Plastic People of the Universe

An Amazing Story: The Plastic People of the Universe and Why All Musicians Should Know Them

Text by Joe Yanosik

The Plastic People of the Universe

Copyright of image: The Plastic People of the Universe

The Plastic who of the what?  Never heard of them and I’ve been playing music for decades, you might say.  Well, it’s not your fault.  Even on the other side of the Atlantic Ocean where they’re from, the Plastic People (actually from Czechoslovakia, not the Universe) remained obscure.  In America, fans of alternative music may simply know them as a cult band who made weird, experimental music.  In fact, the Plastic People of the Universe were one of the greatest rock groups to emerge from Central Europe during the Communist era and their incredible history should be known far and wide by everyone who plays music for a living.  

Formed in Czechoslovakia in 1968 shortly after the Warsaw Pact Invasion in which Soviet tanks and troops crushed the liberal period known as the Prague Spring, the Plastic People of the Universe endured two decades of persecution from the Communist regime simply because they refused to conform to the Soviet “normalization”.  Since the era of Stalin, the Communists knew the importance of controlling the art in a society and they used art as propaganda to promote their own fake reality.  They were fully aware of the power of music and art and couldn’t let it be created freely for fear that the truth would escape.  

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“MFM Speaks Out” EP 29: Alina Bloomgarden on Bringing Jazz to the Classical Music World and Music to the Prisons

“If one person’s sense of value as a human being is renewed, their family, their community, all of us are affected by it in a positive way. We all benefit”

In this episode of MFM Speaks Out, our guest is Alina Bloomgarden. Alina was the original producer of Jazz at Lincoln Center (JALC), the Lincoln Center Reel to Real series, and Director of Visitors Services for 23 years, where she received the Directors Emeriti Award for outstanding achievement. Proposing that jazz had a rightful place at America’s preeminent performing arts center, she invited Wynton Marsalis to participate as Artistic Advisor. She produced the first critically-acclaimed seasons of Jazz at Lincoln Center. Alina is also the founder and executive director of Music On the Inside (MOTI), an organization that works with professional musicians to bring the transformative power of music education and mentorship to people who are incarcerated, facing the challenges of re-entry or impacted by incarceration.

Music featured on this episode:

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