Category Archives: Commentary

Jerry Garcia

A Homage to Jerry Garcia of the GREATFUL DEAD

Text by Bruce Gallanter (Downtown Music Gallery)

Cream Puff War (Written by Jerry Garcia for the Grateful Dead. And appearing on their first self-titled album in 1967)

No, no! She can’t take your mind and leave
I know it’s just another trick she’s got up her sleeve
I can’t believe that she really wants you to die
After all it’s more than enough to pay for your lie

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A Homage to the Legendary Jimi Hendrix

Text by Bruce Gallanter (Downtown Music Gallery)

Jimi Hendrix1983, A Merman I Should Turn to Be – Composed & Performed by the Jimi Hendrix Experience
Recorded for Electric Ladyland, 2 LP set released in October of 1968

Hurrah, I awake from yesterday
Alive, but the war is here to stay
So my love, Catherina and me,
Decide to take our last walk through the noise to the sea
Not to die but to be reborn,
Away from lands so battered and torn
Forever, forever

Oh say, can you see it’s really such a mess

Every inch of Earth is a fighting nest
Giant pencil and lipstick tube shaped things,
Continue to rain and cause screaming pain
And the arctic stains from silver blue to bloody red
As our feet find the sand, and the sea is …
Straight ahead, straight up ahead

Well it’s too bad that our friends,

Can’t be with us today
Well it’s too bad
The machine that we built,
would never save us’, that’s what they say
That’s why they ain’t coming with us today
And they also said
It’s impossible for a man to live and breathe underwater
Forever, was their main complaint
And they also threw this in my face,
they said: Anyway…
You know good and well it would be beyond the will of God,
and the grace of the King (grace of the King) (Yeah, yeah)

So my darling and I make love in the sand,

To salute the last moment ever on dry land
Our machine, it has done its work, played its part well
Without a scratch on our bodies and we bid it farewell
Starfish and giant foams greet us with a smile
Before our heads go under we take a last look at the killing noise
Of the out of style, the out of style, out of style …oooh…

I can vividly remember the first time I heard a song by Jimi Hendrix on the radio (FM radio, mostly). It was the Spring of 1967 and the song that erupted from my speaker was “Purple Haze”. That opening two-note riff and the chorus of “Scuse me while I kiss the sky” were almost too much for my 13 year old mind to deal with.

I was astonished by it and felt like Jimi Hendrix had come from another (psychedelic) dimension or planet! I became a Hendrix fan-addict right then & there and remain that way more than 50 years later! The Jimi Hendrix Experience (with Noel Redding & Mitch Mitchell) recorded just three albums in around two years before Mr. Hendrix’s untimely demise in September of 1970, just before his 28th birthday.

For me and many Hendrix fans, all three albums are essential masterworks. Aside from being one of the most singular, pioneering and brilliant electric guitarists of all time, Jimi Hendrix was also a great songwriter, singer, producer and performer.

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A Commentary: A Zeitgeist of Insignificance – The Problem with Our Musical Values

We are the ones who hold the means to reverse this destructive and dehumanizing trend – and all humanity will suffer if we fail.

By Dawoud Kringle

The economics of the digital age have had an unfortunate effect upon the music business. Digital piracy and the futility of competing with free downloads, and the payments offered by streaming services such as Spotify or Apple Music have contributed to a constant economic devaluation of music. Progress is being made toward new models for rights and royalties in the new music economy that favor the professional musician as equally as the non-musician in the music business.

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Commentary: The Music Industry and the Mafia

How Organized Crime Shaped Our Business

By Dawoud Kringle

“The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There’s also a negative side.” – Hunter S. Thompson

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Daniel Ek and “His” Spotify…the Ruin of the Musicians Community

Daniel Ek, Spotify…Daniel Ek, Spotify…Daniel Ek, Spotify?  Ek owns nearly 9% of the Spotify shares, but has 37% of voting control?!

An Editorial by Dawoud Kringle

Daniel EkDaniel Ek was born February 21st, 1983 in Stockholm, Sweden. He graduated high school from IT-Gymnasiet in Sundbyberg in 2002, and subsequently studied engineering at the KTH Royal Institute of Technology before dropping out to focus on his IT career. At age 13 he started a business making websites for clients from his home. This was successful; he went from charging $100 to $5,000 per website. Ek soon recruited students from his class to work on the websites from the school computer lab (he was reputed to have bribed them with video games). His earnings eventually reached $50,000 per month and by age 18 he was managing a team of 25.

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