Artist: Richard Bennet
Title: Raga & Blues
Label: Mystica Music (India)
Genre: Raga blues?
Review by Dawoud Kringle
The CD begins with a tambura and sparse notes on piano that introduce an alap in Raga Malkauns. This gradually opens up into a rolling swarm of notes somewhat reminiscent of Michael Harrison’s piano work. Above this thick tapestry, melodies would appear and disappear. Occasional suggestions of a teehai would rise.
Artist: Amy Denio
Title: Prodigal Light
Label: Spoot Music
Genre: nu singer-song writer
CD Review by Dawoud Kringle
“Amame” opens Amy Denio’s latest CD release Prodigal Light. An electric guitar figure lays down a foundation for Denio and the others to fill the air with lush vocal harmonies. The song has a very “old world folkish” feel that lures the listener into its peaceful and contemplative world. Flutes and a rubbery bass part work their way into the hypnotic song. It ends without warning.
Artist: Magnetic Ear
Title: Alien of Extraordinary Ability
Label: self released
Genre: New Orleans style second line and funk, Eastern European brass band music and African music
CD Review by Dawoud Kringle
Magnetic Ear is part of the new scene of music coming from New Orleans. An ensemble led by Martin Krusche. Born in Germany, and currently living in New Orleans, Krusche is in addition to being an accomplished musician/composer/band leader, he is also respected saxophone repair man.
Artist: Kosi
Title: One More Cup of Coffee
Label: self-released
Genre: blues/jazz/soul
You can download or purchase the album on Amazon, BandCamp and kosi-sings.com.
CD Review by Dawoud Kringle
Artist: Meg Okura & the Pan Asian Jazz Ensemble
Title: Music of Ryuichi Sakamoto
Label: self released
Genre: chamber jazz
CD Review by Matt Cole
As I’m not very familiar with the music of Ryuichi Sakamoto, I would seem to be an odd choice to review a CD of his compositions. However, given that Meg Okura & the Pan Asian Chamber Jazz Ensemble have created a jazzy re-imagining of Sakamoto’s synth pop creations that is apparently quite different from the original, I may be more able to hear and then review the album without preconceptions (perhaps like sending someone unfamiliar with Ayler to review New Grass, which, curiously enough, was my own introduction to Ayler). The selections on the CD cover a near-20 year span, from his 1978 debut “Thousand Knives” to 1997’s “Untitled #01″ (on this album as “Grief”). Violinist/arranger Meg Okura, in the liner notes, writes that a number of arranging techniques and approaches were used, with some pieces remade anew (e.g. “The End of Asia,” “Thousand Knives”), while others hew close to the original (“The Last Emperor Theme”).
