Category Archives: CD Reviews

CD Review: “Queen of Chamber Jazz”, violinist/erhu player Meg Okura re-imagines Sakamoto and YMO’s greatest hits from the 70’s to Oscar winning soundtracks!!

megokurathepanasianchambArtist: Meg Okura & the Pan Asian Jazz Ensemble
Title: Music of Ryuichi Sakamoto
Label: self released
Genre: chamber jazz

CD Review by Matt Cole

As I’m not very familiar with the music of Ryuichi Sakamoto, I would seem to be an odd choice to review a CD of his compositions. However, given that Meg Okura & the Pan Asian Chamber Jazz Ensemble have created a jazzy re-imagining of Sakamoto’s synth pop creations that is apparently quite different from the original, I may be more able to hear and then review the album without preconceptions (perhaps like sending someone unfamiliar with Ayler to review New Grass, which, curiously enough, was my own introduction to Ayler). The selections on the CD cover a near-20 year span, from his 1978 debut “Thousand Knives” to 1997’s “Untitled #01 (on this album as “Grief”). Violinist/arranger Meg Okura, in the liner notes, writes that a number of arranging techniques and approaches were used, with some pieces remade anew (e.g. “The End of Asia,” “Thousand Knives”), while others hew close to the original (“The Last Emperor Theme”).

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CD Review: Arifa’s Anatolian Alchemy…a well-crafted, gentle, and lyrical creation from a fine group of musicians

anatolian_alchemy_hiresArtist: Arifa
Title: Anatolian Alchemy
Label: Mundus
Genre: oriental jazz

Review by Matt Cole

Anatolian Alchemy is a new CD from multinational band Arifa, which consists of Alex Simu (Romania) on clarinets and laptop, Mehmet Polat (Turkey) on oud, Franz von Chossy (Germany) on piano, and Sjahin During (Turkey/Holland) on Afro Anatolian percussion. It is a gentle group effort which relies mainly on subtlety, space, and communication to make its points.

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CD Review: Michael Harrison & Maya Beiser… perfectly compliment each other’s genius, and the whole CD is a work of sublime beauty.

81+TZ9BxUoL._SL1400_Artist: Michael Harrison & Maya Beiser
Title: Time Loops
Label: Cantaloupe Music
Genre: modern-ambient-minimal-indian music

CD Review by Dawoud Kringle

One day, out of the blue, a package arrived in the mail. It was a CD: Time Loops by Michael Harrison & Maya Beiser. I imagine being a music writer has such perks. I’m no stranger to the work of Michael Harrison (and have even had the pleasure of studying with him). So, I waited for the right moment to properly listen to and savor this latest musical offering from the maestro.

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CD Review: Uri Sharlin and the DogCat Ensemble… a fine musical experience

DogCat_BTTWAlbumCoverArtist: Uri Sharlin and the DogCat Ensemble
Title: Back in the Woods
Label: Folk Dune Records
Genre: fusing jazz and classical influences with Balkan rhythms, Arabic modes and Brazilian harmonies

CD Review by Dawoud Kringle

Uri Sharlin (accordion, piano, and wurli) and his group the DogCat Ensemble (Gili Sharett; bassoon, Matt Darriau; bass clarinet, Kyle Sanna; guitar, Jordan Scannella; bass, Rich Stein; percussion, John Hadfield; percussion, and special guests, Ital Kriss; flute and alto flute, Ze Mauricio; Pandeiro, and Michael Lavalle; zabumba) have presented a nicely composed and executed musical offering.

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CD Review: Van-Anh Vanessa Vo’s “Three Mountain Pass”… a master of the silence between notes

Van_ThreeMountainPassCoverArtist: Van-Anh Vanessa Vo
Title: Three Mountain Pass
Label: Innova Recordings
Genre: Vietnamese folk music

CD Review by Dawoud Kringle

The first track of Three Mountain Pass leaps out at the listener. A solo piece performed on the danTranh (a 16-string Vietnamese zither with movable bridges and the springy, bending tones, resembling the koto), adopted from a traditional opera by Cải lương. Silvery threads of sound leap about in a primordial dance. Notes glide and bend into each other with precision and beauty. One is drawn into this arcane poem of slippery metallic tones and almost indefinable notes, leaving the listener wondering why this strange language speaks so eloquently to one’s spirit. In a time when highly skilled Asian musicians (not to mention attractive female Asian musicians) seem in a surplus, Van-Anh Vanessa Vo stands out as someone with something unique to offer.

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