“MFM SPEAKS OUT:” MFM Started A Podcast!

PodcastIn the debut episode of the MFM SPEAKS OUT podcast series, host Dawoud Kringle interviews saxophonist, composer, music educator, and music rights activist David Liebman. The topics discussed include jazz history, the process of music education, changes in the music profession, and the history and development of musician’s rights activism. Liebman brings a perspective on the music business and music activism that focuses on the issues relevant to the modern musician. The two songs are courtesy of David Liebman: Journey Around the Truth with Andy Emler, and Round Midnight with Richard Beirach. Liebman is a member of MFM’s advisory committee.

Bipolar Syndrome and the Arts

The Fine Line Between Genius and Madness: High Functioning Bipolar Syndrome and the Arts

By Dawoud Kringle

(AUTHOR’S NOTE: This article is for general information purposes only, and is NOT intended to diagnose or cure any illness or condition. The author invites the reader to further research. If you suspect yourself to suffer in any way described herein, you are urged to seek professional help.)

Bipolar Syndrome“There is no great genius without a mixture of madness.” – Aristotle

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CD Review: Vapor Vespers “One Act Sonix”

Vapor VespersArtist: Vapor Vespers
Titele: One Act Sonix
Label:  Bad Egg Records
Genre:  “Triptastic Slam of Storytelling and Genre-Skipping Sounds” – Sal Cataldi

CD Review by Dawoud Kringle

What happens when Sal Cataldi (a New York City / Woodstock / Hudson Valley based multi-instrumentalist who’s known as Spaghetti Eastern Music; and member of MFM) joins forces with Mark Muro (Alaskan actor, poet & playwright)? The result is Vapor Vespers.

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CD Review: Sylvain Leroux & L’école Fula Flute

Sylvain Leroux & L'école fula flute Artist: Sylvain Leroux & L’école Fula Flute
Title: TYABALA
Label: Mulatta Records
Genre: trad. West African Music/ Guinée
Buy here: https://ecolefulaflute.bandcamp.com/

Review by Dawoud Kringle

In 2013, MFM member Sylvain Leroux began working on an alternative arts education initiative with the students of the Centre Tyabala, in Conakry. This was an experimental education project based on the “chromatic tambin” patented modification of the traditional Guinean Fula flute. After six years, the students have become competitive and committed musicians, with new generations of music students following their example.

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