By Dawoud Kringle
Music was performed. Randy Weston’s African Rhythms Ensemble paid tribute to their departed founder and leader. Every note, every stroke on a drum was a tribute to the master musician.
Event review by Dawoud Kringle
On Wednesday, Sept 5th, 2018, Musicians for Musicians (MFM) and Eclectix (a composers and musicians organization) united forces to present an Evening of Jazz in Support of Professional Musicians at Zinc Bar (NY). The night’s music was offered by tenor sax master and MFM board member Billy Harper and his Quintet, and the E.C.O. Ensemble, a quintet of jazz composers / musicians led by guitarist and MFM supporter Roger Blanc. Kim Schmidt hosted and opened the event.
Billy Harper’s ensemble (featuring Freddie Hendricks on trumpet, Francesca Tanksley on piano, Hwansu Kang on bass, and Aaron Scott on drums) opened with “Illuminations,” a piece that started with hits and silences. Hendricks and Harper joined the drums, bass, and piano. This led into a melodically vivacious head.
Music Review by Dawoud Kringle
Artist: Kamyar Arsani & Benjamin Schurr
Title: Voices In The Dark
Label: Blight Rec
Genre: Electronic, Rock, Pop, Folk, World, & Country
“There are voices in the dark. I hear them. I see them. When soul is pushed to the corner of time, dancing becomes more than a form, becomes a spirit. In the strangest of ways, you lose your fear when you dance with Voices in the Dark.” – Kamyar Arsani
Text by By Dawoud Kringle
On the morning of September 1st, 2018, pianist and composer Randy Weston was called home.
Randy Weston was born in Brooklyn, New York in 1926. to Vivian (née Moore; a native of Virginia) and Frank Weston (of Jamaican-Panamanian descent, who owned a restaurant in Brooklyn where Weston was raised). His father was a staunch Garveyite, who passed on the Pan-Africanist leader’s Afrocentric, self-reliant values to his son. He became interested in music at a young age. Among his early influences and inspirations were jazz giants such as Count Basie, Nat King Cole, Art Tatum, and Duke Ellington. He would often cite Thelonious Monk as having the greatest impact on him.
After serving in the US armed forces in WW2, taking time to study European classical piano, and later running a restaurant (which was frequented by many jazz musicians), Weston began performing in the late 1940s with Bullmoose Jackson, Frank Culley and Eddie “Cleanhead” Vinson. He worked with Kenny Dorham in 1953 and in 1954 with Cecil Payne. He formed his own trio and quartet and released his debut recording as a leader in 1954, “Cole Porter in a Modern Mood.” In 1955, Down Beat magazine’s International Critics’ Poll voted him New Star Pianist.
Please send/forward this request to your Senators and to any and all family, friends and colleagues you deem appropriate and request that they in turn also send it to their Senators and to any and all family, friends and colleagues etc. they deem appropriate ….. as well. As time is of great importance here please act promptly, delay could spell the death of this helpful legislation.
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