Tag Archives: Dawoud Kringle

Book cover: Rebelmusic

Jazz and Islam: A Retrospective Series (P. 6 – Final)

The Musicians 

Text by Dawoud Kringle

This continued series explores the relation between jazz and Islam. In this installment, I am continuing the presentation of the biographies of Muslim jazz artists.

Idris Muhammad was born Leo Morris in New Orleans (1939-2014). He began playing the drums at age 8. Before he reached the age of 21, he’d recorded with Sam Cooke and Jerry Butler, and was a respected session drummer for record labels such as Imperial, Specialty, and Ace. In the 1960s his music experienced a profound change due to the influence of John Coltrane. This led to a synthesis of R&B and jazz. He worked with Lou Donaldson 1965-67. In 1969-73 He worked as drummer for the Broadway musical “Hair” and 1970-72, he was the house drummer for Prestige Records. His releases as a leader include “Black Rhythm Revolution”, “Peace and Rhythm”, “Kabsha”, “My Turn”, and “Right Now”. Muhammad has performed or recorded with Larry Williams, Jerry Butler, Curtis Mayfeild, Sonny Stitt, Charles Earland, Gene Ammons, Pharoah Saunders, Roberta Flack, John Hicks, Randy Weston, Jamil Nassr, John Scofield, Roberta Flack, Johnny Griffin, George Coleman, Randy Brecker, his wife, vocalist Sakinah Muhammad, and countless others.

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Book cover: Rebelmusic

Jazz and Islam: A Retrospective Series (P.5)

 The Musicians (Continued)

Text by Dawoud Kringle

This continued series explores the relation between jazz and Islam. In this installment, I am continuing the presentation of the biographies of Muslim jazz artists.

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Music As A Political Weapon: An Editorial by Musicians for Musicians, and DooBeeDooBeeDoo NY

Written by Dawoud Kringle, with Sohrab Saadat Ladjavardi 

Musicians rights imageShortly after midnight, after the results of the presidential election were announced, I posted the following words on Facebook and Twitter

Here lies the United States of America;
Born July 4th, 1776
Died November 8th, 2016.

Granted, the gesture may have been overly dramatic. But it conveys a valid sentiment.

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Andrew Schulman, author and musician

Book Review: Andrew Schulman’s “Waking the Spirit:

 …a Musician’s Journey Healing Body, Mind, and Soul”

Book Review by Dawoud Kringle

Andrew Schulman book coverMusic is the oldest, and the newest, thing in medicine. There are centuries worth of traditions from every culture humanity ever produced that explore the practical application of music as a form of medicine. From the beginning of recorded history to around the 17th century, music was an integral part of medicine. When western allopathic medicine began to reveal details of human biology, they simultaneously instituted the erroneous idea that the human body is mere biology unconnected with the mind. Humanity has yet to fully recover from this disaster. Hundreds of books are written in English about music. The rise of the practice of music therapy, or medical applications of music in the west is, however, a relatively new phenomenon.

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MFM Mixer: Musicians for Musicians Brings More To The Table

Paul Testagrossa, Sohrab Saadat Ladjevardi & Arturo O'Farrill

Paul Testagrossa, Sohrab Saadat Ladjevardi & Arturo O’Farrill

Text By Dawoud Kringle

Wednesday, October 26th, 2016, Musicians for Musicians conducted (what was for them) an experiment: a semi-informal mixer. Members and non-members were all welcome. It was held at WeWork Wall Street in Lower Manhattan.

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