Tag Archives: Dawoud Kringle

“Freelance Isn’t Free” – Freelancers Union Makes a Show of Support to End Abuse of Freelance Workers

Freelancers Union Legislation Hearing logoText by Dawoud Kringle

Photos and video by Sohrab Saadat Ladjevardi

One would think that freelance work is lucrative. On paper, in theory, this is true. The reality, however, is very different. The sad fact is that 1.3 million freelancers in New York city lost an average of $6,000 a year to nonpayment. The reason for this is simple. There is no legal protection for freelancers. If a freelance worker is hired for a job, often he / she is not paid. They may be underpaid, paid late, or never paid at all. If they sue the company, there is no legal framework clearly defining freelancers’ rights in the way a regular W2 employee’s rights are protected. Even if they do win the case, freelancers have no way to actually collect what they’re owed. To add insult to injury, freelancers who dare to challenge having their rightfully earned wages stolen are often blacklisted. The situation is, quite simply, intolerable.

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Event Review: Condensing the Vapors of Ideals into the Liquid of Process: Musicians for Musicians Holds its Third Public Meeting

Date: February, 23, 2016
Venue: CA Music Room (NY)

Review by Dawoud Kringle

MFM Open Meeting 2-23-2016On Tuesday, 2/23/16, Musicians For Musicians (MFM) held its third open public meeting at CA Music Room. The attendance was a bit thin, but considering the miserable weather, this was no surprise.

After the ritualistic opening of the meeting with a musical offering (this time, it was MFM founder Sohrab Saadat’s solo saxophone exploration of his composition “Sad Sake”), the discourse and dialogue over the processes, possibilities, and definitions of MFM and its agenda began to take shape.

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MFM’s Second Public Meeting: A Promising Idea Is Put To A Difficult Test

Text by Dawoud Kringle

MFM jpg logoOn Monday, 1/25/16, I attended the second public meeting of Musicians for Musicians (MFM). The regular DBDBD reader will recall my article about the first meeting wherein I mentioned that, as a milestone in the fledgling organization’s humble beginning, it was a successful first step. Now, MFM takes its second step.

MFM founder and president Sohrab Saadat Ladjavardi held court once again for the second meeting. The tradition of a musical interlude, started by Saadat at the first meeting, was led by Zikrayat leader Sami Abu Shumays. He led the participants in a vocal call and response that allowed the participants to experience firsthand the nuances of maqam based melodies.

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Farewell, Thin White Duke…

Text by Dawoud Kringle

 Photo by Adam Bielawski

Photo by Adam Bielawski

On January 10th, 2016, the world was saddened to learn of the death of one of the most iconic figures in the history of rock music; David Bowie.

It’s difficult to imagine a more chameleon-like figure. Unlike most popular musicians whose success depended on sustaining what propelled them to notoriety in the first place, Bowie’s success was defined by constant change.

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Concert Review: Zikrayat, An Immersion In The Traditions of Arabic Music

Date: January 10, 2016
Venue: Drom (NY)

Review by Dawoud Kringle

Zikrayat, the Arab music and dance ensemble offered their first performance of 2016 at Drom, NYC. Led by violinist / composer / teacher Sami Abu Shumays, Zikrayat (the Arabic word for “memories”) presents the classical music and the dance traditions of Egypt, Lebanon, Syria, and the greater Arab World. They also perform rare music from the “golden age” of Egyptian musical cinema (1940’s-60’s), traditional and standard pieces, and original compositions in these styles.

The sound at Drom on this night was quiet, by “club” standards. Zikrayat had no need to overwhelm the listener. They knew, not thought but knew, the music was beautiful on its own terms. There was no need or urge to prove anything. The set began with a varied exploration of the traditions to which Zikrayat is devoted.

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