MFM’s 2nd Monthly Workshop Tackles Tough Legal Issues with the Help of LegalShield
Date: May 23, 2016
Venue: WeWork Wall Street
Review by Dawoud Kringle
Date: May 23, 2016
Venue: WeWork Wall Street
Review by Dawoud Kringle
Date: Monday, May 23, 2016
Time: 5pm to 6:30pm
Venue: WeWork Wall Street (110 Wall Street, NY, NY)
Ticket: free, but RSVP via Eventbrite here: http://www.eventbrite.com/o/musicians-for-musicians-inc-10586797435
Genre: workshop
Limited seating: 50
LegalShield‘s associates Mike Juliano & Brad Bolnick will lead a legal workshop for MFM (http://www.MusiciansForMusicians.org) members and aspiring musicians, making music and business work hand in hand.
Review by Dawoud Kringle
Date: April 11, 2016
Venue: WeWork Wall Street
Photos and video by Sohrab Saadat Ladjevardi
One would think that freelance work is lucrative. On paper, in theory, this is true. The reality, however, is very different. The sad fact is that 1.3 million freelancers in New York city lost an average of $6,000 a year to nonpayment. The reason for this is simple. There is no legal protection for freelancers. If a freelance worker is hired for a job, often he / she is not paid. They may be underpaid, paid late, or never paid at all. If they sue the company, there is no legal framework clearly defining freelancers’ rights in the way a regular W2 employee’s rights are protected. Even if they do win the case, freelancers have no way to actually collect what they’re owed. To add insult to injury, freelancers who dare to challenge having their rightfully earned wages stolen are often blacklisted. The situation is, quite simply, intolerable.
Date: February, 23, 2016
Venue: CA Music Room (NY)
Review by Dawoud Kringle
On Tuesday, 2/23/16, Musicians For Musicians (MFM) held its third open public meeting at CA Music Room. The attendance was a bit thin, but considering the miserable weather, this was no surprise.
After the ritualistic opening of the meeting with a musical offering (this time, it was MFM founder Sohrab Saadat’s solo saxophone exploration of his composition “Sad Sake”), the discourse and dialogue over the processes, possibilities, and definitions of MFM and its agenda began to take shape.