I have played a couple of times with Swedish guitarist and a film, dance and theatre composer Anders Nilsson who moved from his native Sweden to New York in 2000. I like his guitar playing a lot. He is a unique and very versatile guitarist. In his playing I can hear that he cares about space, sound colors and dynamics. He’s also a very good listener and can respond to other musician’s playing instantly. His characteristic guitar playing can often be heard with singer Fay Victor. He has performed or recorded with artists such as William Parker, Sabir Mateen, Paquito D’Rivera, Eugene Chadbourne, Calvin Weston, Hamid Drake, George Schuller, John Sinclair, Angelblood and has composed music for film, dance and theatre.
His solo album “Night Guitar” is coming out on the SoundatOne label by the end of this year. His friend Arrien Zinghini made a video to the track from the album “Breakfast Boogie/Nightmare Ballad” (watch above video). It was shot entirely on a Long Island beach after sunset on a series of cold April nights.
Composer Adam Rudolph returns with another series of Go: Organic Orchestra at Roulette. In concert he will conduct between 20 – 35 musicians in a spontaneous way, using a newly created score of music/letter grids, language themes, tone rows, traditional and synthetic scales, diadic and intervalic harmonies, The compositions will also utilize Rudolph’s rhythm concept of “Cyclic Verticalism” to generate form and weave what he calls an “audio syncretic music fabric”. The music is “organic” in the sense that the compositions and conducting exist as an inspiration and context for the musicians to express themselves by using their instruments as an amplifier for their inner voice.
2. Poetic Heritage Festival presents M. Nahadr aka M & Ntozake Shange
Date: Monday, November 1, 2010 Time: 10:30pm Venue:Le Poisson Rouge (158 Bleecker Street, New York, NY 10012, Phone: 212- 505-3474) Ticket: $18 Genre: American Music/contemporary/nu folk/avant pop
Forging a new acoustic sound that defies categorization while striking universal chords, Tin Hat from San Francisco makes freewheeling chamber music for the 21st century. Garnering widespread critical acclaim for its six CDs, the group has also earned high marks for their captivating performances. Tin Hat’s international audiences have grown over the years through its many concert tours in the United States and Europe. Hailed by the press for “interweaving Old World Europe with post- modern America, south-of-the-border sensuality with concert-hall propriety, and odd-metered syncopation with deeply soulful grooves” (The New York Press), the ensemble has created an original American ethnic music of its own device.